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04:00

We're Not in Oz Anymore.

Television Critic David Bianculli talks about the effect video cassette recorders have had on the way his kids watch TV.

Commentary
06:54

A British Documentary on the African Influences on African American Music.

Jazz Critic Kevin Whitehead reviews "Repercussions," the British documentary series on African and Afro-American music. One segment features American jazz drummer Max Roach; another highlights the Los Angeles rhythm-and-blues scene and "highlife" musicians from Ghana. The series is now available on home video.

Review
03:54

HBO's Political Mockumentary.

Television Critic David Bianculli previews the HBO spoof of political campaigns, "Tanner 88: The Dark Horse." Unlike earlier fabricated campaigns like "Pat Paulsen for President," "Tanner 88" takes its politics seriously. The script is written by "Doonesbury" cartoonist Garry Trudeau, and the direction is by Robert Altman.

Review
04:00

Incredible Documentary About "The Man Who Shot John Lennon."

Television Critic David Bianculli previews "The Man Who Shot John Lennon," the "Frontline" documentary on Mark David Chapman. The program relies on audiotaped psychiatric interviews with Chapman, and on a close analysis of the novel The Catcher in the Rye, which Chapman followed as though it were a script for Lennon's murder.

Review
03:46

Smothers Brothers Reunion.

Television Critic David Bianculli previews the 20th anniversary reunion of "The Smothers Brothers Comedy Hour." While the show features some clips from the original programs, it is composed mostly of updated skits featuring comics from including Steve Martin, Leigh French and Pat Paulson. The musicians include Glenn Campbell, John Hartford, Jennifer Warnes and Mason Williams.

Review
02:42

"The Adventures of Tintin" and other Home Video Releases.

Ken Tucker reviews the home video release of "The Adventures of Tintin," a European comic strip that featured a boy reporter accompanied by a wire-haired terrier. The strip, which first appeared in 1929, captivated children and adults alike, winning the praise of Winston Churchill and Charles DeGaulle. In 1962, the strip was made into animated cartoons by the American producer Charles Shows.

Review

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