Television

Freberg created several humorous and memorable ad campaigns for television and radio, and continues to work in the trade today. His new memoir, the first of two volumes, is called It Only Hurts When I Laugh.

TV writer John Schulian says his career change was a logical one: he was a good writer and sick of sports journalism. He got his break on the show L.A. Law. He's now the executive story editor on Wiseguy.

Oz's new crime comedy, Dirty Rotten Scoundrels, stars Steve Martin and Michael Caine. Oz also worked with Jim Henson to create several Muppets, including Miss Piggy and Fozzy Bear.

Former Monkees member Michael Nesmith helped pioneer the music video and created the blueprint for MTV. He now runs the home video production company, Pacific Arts Video, which he financed with an inheritance from his mother, who invented Liquid Paper.

Joe Franklin has been an enduring institution in the world of radio and television talk shows. Over the past 36 years, he's interviewed countless actors, comedians, and musicians. His show is a unique, low-budget operation; Franklin books all the guests himself.

The author came from a political family, which he says didn't groom him for life as a writer. Nonetheless, Vidal has continued to stay engaged in politics through his series of historical novels and a new essay collection, called At Home. He tells Fresh Air host Terry Gross about some of his early work, and how television helped bolster his celebrity.

AKA Michael Harris on the Bob Newhart Show. He joins Fresh Air to talk about his character's developing love life. Scolari also juggles, a talent which will soon be featured on sitcom.

Curtin is an alumnus of Saturday Night Live, and now stars in the sitcom Kate & Allie. She joins Fresh Air to talk about the direction of her new show and some of her favorite SNL sketches. Curtin also reflects on how actresses and women writers on SNL always had to fight for airtime.

TV critic David Bianculli reviews several shows from the upcoming television season.

Korder's play, about a television journalist, is being adapted into a TV movie for HBO. He talks about his frustration with the static nature of television writing, and what it takes to craft great dialogue.