Rock

Tom Goodkind, Bruce Paskow, and Lauren Agnelli are veterans of the New York punk scene. Their new band, the Washington Squares, plays traditional folk songs with a rock edge.

Rock historian Ed Ward says the term has been mis-applied, often describing bands that record labels saw as commercially viable, rather than the kind of music they played. He says that Bob Dylan pioneered the folk-rock sound; British bands like Fairport Convention and Steeleye Span helped it evolve.

Ken Tucker returns with his latest countdown of noteworthy songs. His list features Roachford, Peter Case, Tim Finn, The Fabulous Thunderbirds, and Elvis Costello.

The queen of New Orleans soul would have been a bigger star if she had moved to New York or Los Angeles earlier in her career, argues rock historian Ed Ward. Despite her local success, Thomas only had a few national hits. But by all accounts, she's happy now, performing in regional blues circuits and raising her four children.

Drummer Chris Frantz and bassist Tina Weymouth are a married couple who comprise the Talking Heads' rhythm section. Despite the band's success, they found it hard to support their two children. To make ends meet, Frantz and Weymouth started a new band called Tom-Tom Club. Their new album is called Boom Boom Chi Boom Boom.

Small Faces were contemporaries of The Beatles and The Rolling Stones, but never reached the same level of fame, in part because they failed to break onto U.S. charts. Rock historian Ed Ward says it's a shame -- they broke up soon after hitting their stride in 1968 -- but the members later found success with Humble Pie and Rod Stewart.

Rock critic Ken Tucker says the music coming out of Los Angeles today has come a long way from the soft rock sound of the 1970s. But no one style dominates the city -- there's some good pop and rock, but Tucker is most excited by rap artists from Compton.

Rock historian Ed Ward says its time we give bubblegum pop another listen. In contrast to the bombastic concept albums of the 1970s that were released at the same time, these one-off songs were catchy and accessible, and helped expand rock and roll's fanbase.

Rock critic Ken Tucker considers the recent trend of British bands taking their cues from American soul music, with varying success. Recent examples include songs by Simply Red, The Pasadenas, Boy George, and Fine Young Cannibals.

Marcus is fascinated by the disruptive and enduring power of the Sex Pistols. His new book, Lipstick Traces, connects the rise of punk with Dadaism and other nihilistic art movements.