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06:43

An Electric Bluesman Rivaled Only by Muddy Waters

Chester Arthur Burnett didn't become a professional musician until he was 38, when he adopted the stage name Howlin' Wolf. Rock historian Ed Ward profiles the musician's move from the South to the North, and the development of his urban blues sound.

Commentary
07:27

The Best Music of the Summer

As the season comes to an end, Ken Tucker reviews some of his favorite new releases, including albums by The Time, Mariah Carey, The Allman Brothers, and Bonnie Raitt.

Review
24:10

The Record Industry's New Payola

During the 1950s and '60s, record labels were subject to criminal investigations over their practice of paying radio stations for airplay of their songs. A new book by Fredric Dannen, about the way the payola system has re-emerged, is called Hit Men.

Interview
06:56

New Albums by Three Ragged Singer-Songwriters

Rock critic Ken Tucker says critical darlings David Berwald and John Hiatt are striving for a commercial sound, but their new, dolorous albums fall flat. On the other hand, Steve Earle's The Hard Way -- the latter half at least -- delivers the goods.

Review
07:26

CBGB's Punk Rock Legacy

Several bands that emerged from the 1970s punk scene -- including Television, the Talking Heads, the Ramones, and Blondie -- got their start at the Manhattan nightclub. Rock historian Ed Ward tells its story.

Commentary
05:37

A Rap Group's Rebuttal of Artistic Repression

Rock critic Ken Tucker reviews "Banned In the USA" by 2-Live Crew. Their previous album, As Nasty as They Wanna Be, was declared obscene, and they were later arrested for simply performing their music at a concert. Tucker doesn't find much merit in 2-Live Crew' often misogynistic songs, but he vigorously condemns the efforts to criminalize their music.

Review
06:45

The Burnette Brothers' Brushes with Stardom

The band, comprising brothers Dorsey and Johnny, as well as guitarist Paul Burlison, were contemporaries of Elvis, and released several memorable records. But their music was constantly overshadowed by other artists. Rock historian Ed Ward has this profile.

Commentary

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