Race, Identity & Culture

Film maker Peter Wang (it's spelled "wang," but it's pronounced "Wong"). Wang wrote, produced, directed, and acts in his new movie, "The Laser Man." It's a suspense-comedy about a Chinese-American physicist who discovers his laser research is being used for evil purposes. Much the same thing happened to Wang himself. He holds a PhD. in laser technology but left the field after deciding he could no longer use his skills to help create new weapons systems. After a stint teaching, Wang migrated into acting and film.

Leonard Koren. He's written, "283 Useful Ideas From Japan," which lists innovative products and services in Japan. It includes such things as the two-headed public telephone, a combination sink/toilet, and capsule hotels. Koren has been an architect, graphic designer, and publisher. He works and lives in San Francisco and Tokyo. (Interview by Sedge Thomson)

Television critic David Bianculli previews "Cross of Fire," a four-hour NBC miniseries based on true events in the 1920s, when a charismatic leader of the Ku Klux Klan came to power in Indiana.

Former U.S. senator James G. Abourezk (AB-er-esk). In his new memoir, "Advise and Dissent," Abourezk tells of Arab-American heritage, his coming of age in the North Dakota Indian country, his early political days, his 8 years in Congress, and his decision not to run for re-election in 1979. These days Abourezk is an attorney in Washington, D.C., and is National Chairman of the American-Arab Anti-Discrimination Committee.

Poet Li-Young Lee. He was born into a family of political refugees from China. They traveled throughout Asia for years to escape persecution. In the mid-60's his family moved to Pennsylvania. Lee's poems reflect his struggle with his Chinese heritage - a heritage to which he is bound but in which he never lived. His poems also reflect Lee's attempt to come to terms with the powerful and mythic figure of his father, who was alternately imprisoned and revered for his beliefs.

Filmmaker Ketan Mehta (Kay-Tahn May-Ta). He's one of a group of young, politically committed directors in India today who believe movies can be effective tools for social change and not just entertainment, and his films have dealt with such issues as the caste system and feminism. His latest film, "Spices," tells the story of a young woman in a remote village in India and her struggle to resist the advances of a powerful feudal overlord.

Ronald Takaki. He's the grandson of Japanese immigrants and a professor of Ethnic Studies at Berkeley. His book, Strangers from a Different Shore: A History of Asian Americans, tells the diverse stories of Asian immigrants who have come to the United States during the past century and a half. Takaki relates the personal testimonies of new immigrants and their American-born children.

The master of funk, George Clinton. He began his musical career as a teenager when he formed The Parliament. But in the early 70s, Clinton put together a second group, "Funkadelic," that became enormously influential on the pop music scene. Their 1970 album, "Osmium," set the tone for Clinton's wickedly eclectic style; songs ranged from metaphysical gospel to country and acid rock. But their big hit came with the album "Mothership Connection." In songs like "Tear the Roof Off the Sucker," "Get Up on the Downstroke" and "Think!

Rock critic Ken Tucker reviews two new reggae albums, "One Bright Day," by Ziggy Marley (son of the late Bob Marley) and "Cumbolo" by the Jamaican group Culture.

Filmmaker Wayne Wang. With the films "Chan is Missing," "Dim Sum," and "Slam Dance" to his credit, Wang is the first Chinese-American film director to make an impact in the American film industry. Wang has focussed his work around the problems of identity and assimilation, and other issues in the lives of Chinese-American immigrants. He made his first film, "Chan is Missing," on a budget of only $22,000, but the mystery set in San Francisco's Chinatown became both a critical and box-office success.