Music

Thorn has recorded a holiday album, Tinsel and Lights, that critic Ken Tucker says might just work for warmer weather, as well. Tucker praises Thorn's voice as "bolstered by a firm intelligence," and says she avoids the fatty treacle that often weighs down Christmas albums.

A new 12-disc compilation traces the history of electric blues from its inauspicious start through its heyday in the 1950s and '60s. Critic Ed Ward says Plug It In! Turn It Up! does "a great job of illuminating one particular aspect of the blues."

Buddy Miller and Jim Lauderdale just released a new album of duets. Critic Ken Tucker says Buddy and Jim recalls an earlier era of country music. The pair's voices, Tucker says, connect through "shared emotion in a song."

Critic Lloyd Schwartz welcomes the opera star's new album, Mission, which breathes new life into the work of Italian composer Agostino Steffani. Bartoli, he says, has an astonishing capacity for vocal fireworks and warm, delicate lyricism.

The violinist attempts to mix jazz, classical and traditional Chinese music with his octet on Burning Bridge.

"The Empress of the Blues" gave voice the listeners' tribulations and yearnings of the 1920s and '30s. A new 10-CD box set collects the complete works of the colossus who straddled jazz and blues.

One of the great fantasies of the hippie era was that new combinations of music would emerge from the experimentation that was going on. Still, very few lived it. Ed Ward says The Insect Trust was one of the exceptions.

James Bond and The Rolling Stones both turn 50 this year. As critic John Powers points out, both may have been born in response to a dying British Empire, but their evolving legacies have reflected the times through which these brands have lived.

The country-music star has enlisted the help of Merle Haggard, Elvis Costello and others to salute the man behind songs like "Make the World Go Away."

ChesnuTT is the best sort of egomaniac: On Landing on a Hundred, he's preachy but delightful.