Music

For a dozen years, a music festival that highlights the music of Africa has been held near Timbuktu, Mali. This year, a nationalist uprising and ongoing battles made the Festival au Desert impossible. A new recording from the most recent event helps fans continue to celebrate the music.

The band just released its third album, Modern Vampires of the City. Chief lyricist and singer Ezra Koenig has described it as the third part of a trilogy about maturing. As part of that process, the album finds sustenance invoking Desmond Dekker and The Rolling Stones.

Random Access Memories finds the French duo changing its music-making process in an effort to make its songs sound more human. To that end, Daft Punk enlists guest stars such as Pharrell Williams and Nile Rodgers.

Divine: The Jazz Albums, 1954-1958 packs four CDs with Vaughan's music, recorded live or in the studio with bands big and small. Two live albums from Chicago nightclubs are standouts, partly when a performance threatens to slide off the rails.

Dawes has just released its third album, Stories Don't End. The band has cited Neil Young and Crosby, Stills & Nash among its influences, but channels them with good humor and confidence that its own distinctiveness will shine through.

Four albums of reissues and archival recordings from Crosby's own vaults are getting a high-profile release; they demonstrate that his influence on modern singing is so huge, we barely notice it anymore. He could sing anything from Latin to Hawaiian to The Great American Songbook.

On Mother, Maines' first solo record, the singer moves beyond the music that propelled her to fame as a member of the Dixie Chicks. It features an assortment of pop and rock covers, including a reworking of the Pink Floyd song that lends the album its title.

Dubbed a country singer by virtue of her Nashville base, Rose sounds more like a pop vocalist on The Stand-In. Drawing inspiration from Roy Orbison, Carlene Carter and countless others, Rose knows it takes an assured performer to sell the notion of vulnerability over the long haul.

"Accidental Racist" launched an Internet firestorm and threatened to overshadow everything else on the country singer's fine new album, Wheelhouse. Even in that polarizing song, Paisley's biggest sin is that he's well-meaning in a way that topples too easily into sentimentality.

Mosaic Records has released Classic Earl Hines Sessions 1928-1945. a seven-disc showcase for the jazz pianist and bandleader. Hines' right hand played lines in bright, clear octaves -- and his left hand had a mind of its own.