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Jazz legend Miles Davis playing the trumpet in a red shirt

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27:40

Jazz Bassist Percy Heath

The Philadelphia-based musician didn't begin playing his instrument until he was 22, after serving in the Air Force as a fighter pilot. He describes his first 10 years performing with jazz legends as his version of going to school.

Interview
50:09

Jazz Trumpeter Art Farmer

While he was still a teenager the musician moved with his twin brother from Phoenix to Los Angeles to find work as a jazz musician. His career later took him to New York and, eventually, Vienna, where he has lived for several years. He has recently reunited his old group, the Jazztet, with tenor saxophonist Benny Golson.

Interview
27:26

Jazz Pianist George Shearing

Shearing was born blind and began learning piano at age 4. Both practical limitations and prejudice kept him from playing certain kinds of gigs. But during World War II, while many fellow musicians served in the military, Shearing was given more opportunities to work. He later moved to the United States to further his career.

Interview
51:06

Tenor Saxophonist Benny Golson

The jazz musician and arranger grew up in Philadelphia and developed his chops early on during jam sessions with John Coltrane and Percy Keith, among others who would grow up to become jazz legends. After getting his big break in Art Blakey's band, Golson spent years writing and arranging music for several television shows.

Interview
55:49

Jazz Pianist George Shearing

Shearing was born blind and began learning piano at age 4. Both practical limitations and prejudice kept him from playing certain kinds of gigs. But during World War II, while many fellow musicians served in the military, Shearing was given more opportunities to work. He later moved to the United States to further his career.

Interview
51:37

Terry Zwigoff's "Louie Bluie."

Terry Zwigoff is the director and producer of the documentary "Louie Bluie," about jazz violinist and mandolinist Howard Armstrong. Armstrong continues the tradition of black string bands in the nineteen-teens and the nineteen-twenties. Armstrong's career was revived in the nineteen-seventies on the college circuit. Zwigoff plays the cello and mandolin himself, including in cartoonist R. Crumb's band, and collects jazz records.

Interview
01:00:43

Nat Hentoff on Growing Up Jewish in Boston, Race Relations, and Loving Jazz.

Nat Hentoff writes about jazz and civil liberties, but describes his profession as "being a troublemaker." Hentoff began collecting jazz records and hanging out in jazz clubs as a young adult, and later hosted a jazz radio show and edited a magazine before co-founding the Jazz Review, a journal of criticism. Hentoff currently writes a column for the Village Voice and his subjects are often the First Amendment or civil liberties, and he is a staunch defender of free speech. His latest book, "Boston Boy," is a memoir about growing up in Chicago and Boston.

Interview
40:39

New Orleans Music and Culture with The Neville Brothers.

Art and Aaron Neville are part of the New Orleans funk and rhythm and blues band The Neville Brothers. Art has been performing since 1954 when his "Mardi Gras Mambo" became a hit. The song remains a Mardi Gras standard. Aaron had a hit in 1966 with the song "Tell It Like It Is." The brothers' latest album "Neville-lization."

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