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26:21

Music journalist and film maker Robert Gordon

He's written a new biography of blues legend Muddy Waters who is credited with inventing electric blues and creating the template for the rock and roll band. The book is Can't Be Statisfied: The Life and Times of Muddy Waters. (Little, Brown). Gordon also produced and directed an accompanying documentary of the same name which will be shown as part of the PBS American Masters series next year. Gordon's other books are It Came From Memphis, and The King on the Road. He also produced the Al Green box set, Anthology.

Interview
21:31

John Lasseter

John Lasseter, Executive Vice President of Creative for Pixar, Inc. Lasseter was one of the founding members of the computer-animated filmmaking company. He served as director and animator of the feature films Toy Story, Toy Story 2 and A Bug's Life. Lasseter also directed a number of shorts for Pixar, including Tin Toy, Red's Dream and Luxo, Jr. Lasseter joined Lucas film's Computer Division in 1984, and then helped create Pixar in 1986. He previously worked as an animator for Walt Disney. This interview first aired February 27, 2002.

Interview
33:49

Cinematographer Gordon Willis

Cinematographer Gordon Willis created the look of many of the most influential films of the 1970s: Klute, The Godfather I and II, The Parallax View, Annie Hall and Manhattan. He's shot eight Woody Allen films, as well as Pennies from Heaven and Presumed Innocent. Willis is currently participating in the annual Master Class series at the American Museum of the Moving Image in New York .

Interview
21:13

Screenwriter Mike White

Screenwriter Mike White wrote and starred in the independent film Chuck & Buck and earlier wrote for the TV shows Dawson's Creek and Freaks and Geeks.

Interview
34:46

Filmmaker Robert Rodriguez

Filmmaker Robert Rodriguez. He's the man behind the family adventure films Spy Kids and Spy Kids 2. His list of credits include: writer, director, producer, director of photography, production designer, editor, visual effects supervisor, sound designer, re-recording mixer and composer. His first feature film was El Mariachi, which he made in 1993 for $7,000. It won the Audience Award for best dramatic film at the Sundance Film Festival and was the first American film released in Spanish. He also wrote a book about making El Mariachi called Rebel Without a Crew.

Interview
12:07

Actress Catherine Keener

Actress Catherine Keener was nominated for an Academy Award for her role in Being John Malkovich. She starred in the independent films The Real Blonde, Walking and Talking, Living in Oblivion and Lovely and Amazing.

Interview
08:21

Writer/director Nicole Holofcener

Writer/director Nicole Holofcener. Her new film Lovely and Amazing is a comedy about the insecurities that many women have about their appearance. It stars Catherine Keener, Brenda Blethyn and Dermot Mulroney. Holofcener also wrote the screenplay for the film Walking and Talking.

Interview
44:01

Film director Barry Sonnenfeld

Film director Barry Sonnenfeld. His latest movie is Men in Black II, the sequel to his film Men in Black. Both films star Will Smith and Tommy Lee Jones. Sonnenfeld's other films include Wild Wild West, Get Shorty and The Addams Family. Before directing, he worked as a cinematographer. He did three films with the Coen brothers - Blood Simple, Raising Arizona and Miller's Crossing. He also worked on Misery, When Harry Met Sally and Big.

Interview
44:25

Actress Jodie Foster

She produced and acts in the new film The Dangerous Lives of Altar Boys. Foster has won two Oscars for performances in The Silence of the Lambs and The Accused. She was also nominated for her work in Taxi Driver and Nell. She's also served as producer or director on numerous films.

Interview
42:18

Writer John Ridley

Writer John Ridley wrote the screenplay for the new film Undercover Brother, which began life as a Web site animation. The film is an action comedy replete with 1970s fashions. Ridley has also just published a novel, A Conversation with the Mann, about a black comic in the civil rights era of the early 1960s.

Interview

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