Feminism

Commentator Patsy McLaughlin (mc-LOFF-lin) reflects on advertising's "Breck" girl becoming the "Breck" woman. McLaughlin will speak with this year's Breck model, Pamela Chew.

Commentator Maureen Corrigan looks back at Ex-Wife a 1929 novel by Ursula Parrott that has recently been re-printed. Corrigan finds many of the issues of contemporary feminism wrapped up in this story of a flapper who tries an "open" marriage.

Though the garment may be a century old, fashion columnist Patricia McLaughlin says bras still have a long way to go in terms of fit and comfort.

Critic-at-large Laurie Stone says that recent advertisements, TV shows, and theater betray a cultural shift toward a new traditionalism that debases feminism and expects women to return to conventionally feminine roles.

That student was Fresh Air's critic-at-large Laurie Stone. Stone studied with the feminist writer at Barnard. She was excited by Millet's enthusiasm for art and literature, and was emboldened by Millett's sincere belief in Stone's own potential.

Guest critic Leslie Savan says the portrayal of women in recent television commercials reflects what she calls the "gal" archetype -- clumsy but charming, and always insecure, they never have the upper hand at home or work.

Rock Critic Ken Tucker looks at several women rock musicians who reject female rock stereotypes and work in highly idiosyncratic and original styles. The groups and individuals includes the Sugarcubes, Jane Wiedlin and M.C. Lyte.

Critic-at-Large Laurie Stone discusses the new ABC show "Home." The format is similar to the morning news shows, like "Good Morning America," and "The Today Show," mixing live interviews with pre-produced segments, all of which revolve around domestic issues, like how to make pot scrubbers out of onion bags.

Language Commentator Geoffrey Nunberg continues his discussion of sexism in language. He says the obvious concerns - like whether to use "mankind" or "humanity" - only scratch the surface.

Critic-at-Large Laurie Stone explores the work by some of the leading performers in feminist and lesbian theater.