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06:46

A German Baritone Sings Mozart's Arias

Classical music critic Lloyd Schwartz reviews a CD of Olaf Bar's performances of selections from Mozart's operatic oeuvre. Schwartz says Bar's lower range is limited, causing him to growl and bark. It's an affect that might work for a full production, but is distracting in a recital setting.

Review
06:40

Revisiting Early Gilbert and Sullivan Recordings

Classical music critic Lloyd Schwartz reviews reissues of the songwriting team's music, recorded in the early 20th century. Schwartz praises the performers' precise renditions of these classic compositions.

Review
06:41

Can Movie Music Be Good Music?

Classical music critic Lloyd Schwartz says that some composers elevate film scores, including Bernard Hermann, who wrote the music for several Alfred Hitchcock movies. A new collection of those compositions is now out on CD.

Review
06:58

The Cultural Heritage of American Musicals

Classical music critic Lloyd Schwartz reviews a new Smithsonian box set of American musicals from throughout the twentieth century. His only complaint is that, with such a wealth of archival material, he wonders why more serious and contemporary music was included.

Review
09:49

The Physical Toll of a Career in Music

Cellist Janet Horvath suffered from tendinitis, which was caused by overzealous practicing. Now fully recovered, she works to call attention to the numerous playing-related ailments and injuries professional musicians of all kinds are subject to.

Interview
06:47

The Best Years of a Barrier-Breaking Singer

Classical music critic Lloyd Schwartz reviews a new collection of recordings by the African American singer Marian Anderson, a contralto known for her masterful rendition of art songs and spirituals.

Review
06:50

Russell Sherman Takes Liszt Seriously

Classical music critic Lloyd Schwartz that many performers have overlooked Liszt's music, in part because of the composer's flamboyant reputation. But a new album by pianist Russell Sherman reveals the craft and innovations of Liszt's work.

Review
09:59

A Soloist Provides His Own Accompaniment

Part 2 of the Fresh Air interview with composer Steve Reich. He talks about a new compostion called Electric Counterpoint, written for guitarist Pat Metheney. Metheny pre-recorded ten tracks, then performed the solo part live.

Interview
09:58

Steve Reich's New "Documentary Music"

The minimalist composer's new piece, Different Trains, contrasts Reich's childhood experiences crossing the country by rail to visit his divorced parents with the memories of Holocaust survivors' journey to concentration camps. The music incorporates recordings of several interviews into the orchestration.

Interview

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