Classical music

Not much of Cornysh's work survives, but the vocal ensemble the Tallis Scholars has unearthed enough to record a new album of the composer's sacred and secular music. Classical music critic Lloyd Schwartz says it's as excellent as all of the ensemble's previous recordings.

Classical music critic Lloyd Schwartz reviews a new recording of the Estonian composer's version of the Passion of St. John. He says that its simplicity reveals surprises, and that, even at 70 minutes, the piece never grows tiresome.

Classical Music Critic Lloyd Schwartz reviews a newly re-issued recording of the late pianist GLENN GOULD playing Haydn's last six piano sonatas. Gould made these recordings in 1980, two years before his death.

Lloyd Schwartz says that the classical pianist, like Glenn Gould, died too young. But unlike Gould, Lipatti's interpretations of canonical works were more traditional, evoking the way the pieces may have originally been performed. Schwartz reviews two recent re-releases of the musician's recordings.

Classical music critic Lloyd Schwartz reviews a new recording of Harold Shapero's symphony, conducted by Andre Previn and performed by the Los Angeles Philharmonic.

Classical music critic Lloyd Schwartz reviews new reissues of performances conducted by the British maestro and London Philharmonic founder.

Classical music critic says that no music is more fun than a good operetta. A new collection of lesser known works by composer Jacques Offenbach is more fun than almost any other album this year.

Goode was recently commissioned to record all of Beethoven's piano sonatas. He joins Fresh Air to discuss the challenges of that endeavor, the process of memorizing the repertory, and his early musical training.

Rhys Chatham is a classically-trained, minimalist composer who incorporates rock influences into his music. He joins Fresh Air to talk about his choice of instrumentation, and the evolution of his work over the years.

Leroy Anderson was classical composer who often used popular forms in his orchestral music. Classical music critic Lloyd Schwartz says a new collection of Anderson's Americana-infused work reveals his charm and wit.