Soundtracks

Composer John Barry. He's best known for his 11 James Bond scores, including "Goldfinger," and "Thunderball." Barry has won five Oscars: for the song and score of "Born Free," and for scores for "Lion in Winter," "Out of Africa," and "Dances with Wolves." He has a new CD compilation of his work, "John Barry: The Hits & The Misses" (Play it Again label).

Today, as part of our series on American popular song, we continue our profile of Harry Warren (1893-1981), a successful but little known songwriter who produced a number of hits during the 1930's, 40's and 50's. Today in part two of our profile, we focus on Warren's songs of the 40's and 50's, including some of the most popular love ballads of the world war two years, one of Dean Martin's biggest hits, and the theme for a tv western.

Philip Furia is currently writing a book on Hollywood's musicals. He discusses the impact of Harry Warren on movie musicals. Furia is the author of The Poets of Tin Pan Alley, and Irving Berlin: A Life in Song. He is chair of the English department at the University of North Carolina at Wilmington.

From the new film "Illuminata," actor/director John Turturro and composer William Bolcom. The film is based on a stage play by Brandon Cole (who also wrote the screenplay with Turturro). Previously the two collaborated on the film "Mac." Bolcom won the Pulitzer Prize in Music in 1988 for his "Twelve New Etudes for Piano."

Film historian Rudy Behlmer on the making of "King Kong." The original movie soundtrack for the 1933 classic film has just been reissued on CD. (Rhino) The film was directed by documentarians Merian C. Cooper and Ernest Schoedsack who also worked together on the groundbreaking documentaries, "Grass" and "Chang." The score was by Max Steiner. Behlmer wrote the liner notes for the the new CD. He's also the author of "Behind the Scenes."

Rock critic Ken Tucker reviews two new CDS by Aimee Mann, the soundtrack for "Magnolia," and Michael Penn, "MP4."

Jazz critic Kevin Whitehead reviews “Hollywood Swing & Jazz: Hot Numbers from Classic MGM, Warner Bros., and R.K.O. Films” (a Rhino box).

Jazz trumpeter Steven Bernstein. With his quartet, Sex Mob, hes just released a new CD which pays homage to the music of James Bond films. Its called Sex Mob Does Bond (ropeadope records) and is the sextets third album. Bernstein also heads two other groups: Diaspora Soul which specializes in performing versions of ancient Jewish melodies, and Millennial Territory Orchestra with which he explores jazz from the 1920s and 1930s.

Philip Furia is currently writing a book on Hollywood's musicals. He discusses the impact of Harry Warren on movie musicals. Furia is the author of The Poets of Tin Pan Alley, and Irving Berlin: A Life in Song. He is chair of the English department at the University of North Carolina at Wilmington.

Today, as part of our series on American popular song, we continue our profile of Harry Warren (1893-1981), a successful but little known songwriter who produced a number of hits during the 1930's, 40's and 50's. Today in part two of our profile, we focus on Warren's songs of the 40's and 50's, including some of the most popular love ballads of the world war two years, one of Dean Martin's biggest hits, and the theme for a tv western.

Composer Jerry Goldsmith has been writing film and TV music since the 1950s. He won an Academy Award in 1976 for his music for The Omen. His film scores include: Star Trek: The Motion Picture, The Sand Pebbles, Chinatown, and A Patch of Blue. His TV credits include: The Man from U.N.C.L.E., Dr. Kildare, The Waltons, and Barnaby Jones. Theres a new CD collecting his music, The Film Music of Jerry Goldsmith (Telarc).

Music critic Lloyd Schwartz reviews the soundtrack from the film Gosford Park, directed by Robert Altman. The film features original music and songs from the 1920s and 1930s. The CD has just been released.

He just won a Golden Globe for his score for the film, The Lord of the Rings: The Return of the King and the score has also been nominated for an Academy Award. Shore has over 60 film scores to his credit, including The Fly, Dead Ringers, Naked Lunch, The Silence of the Lambs, Ed Wood and Philadelphia. Shore was also one of the original creators of Saturday Night Live, serving as musical director from 1975 to 1980. His chamber music is featured on the CD Reel Life — The Private Music of Film Composers Vol. 1.

Bluegrass musician Ralph Stanley. He came to fame late in life when his music was featured on the triple-platinum soundtrack of the movie O Brother, Where Art Thou? Stanley sings and plays banjo. He won two Grammys this year for his performance of "O Death" on the O Brother record. At age 75, Stanley has just released a self-titled CD and continues to tour. He's recorded over 170 albums in total, and has been performing continuously since 1946.

Classical music critic Lloyd Schwartz considers the original Hollywood movie score from the Silent era to the present.

Classical music critic Lloyd Schwartz reviews music from the film The Triplets of Belleville, now on DVD.

He died July 21 at the age of 75. Since the 1950s he had composed scores for film and TV. He won an Academy Award in 1976 for his music for The Omen. His film scores include: Star Trek: The Motion Picture, The Sand Pebbles, Chinatown, and A Patch of Blue. His TV credits include The Man from U.N.C.L.E., Dr. Kildare, The Waltons, and Barnaby Jones. The CD collection of his music is The Film Music of Jerry Goldsmith (Rebroadcast from Jan. 7, 2002.)

Bernstein died Wednesday at the age of 82. He was nominated for 14 Academy Awards, but won only one — for his music for the film Thoroughly Modern Millie. His best known film score was for The Magnificent Seven (which was later used for a Marlboro cigarette commercial). His other film scores include The Man With the Golden Arm, To Kill a Mockingbird, Great Escape, Sweet Smell of Success and The Ten Commandments. (Originally broadcast on Jan. 10, 1991.)

Some of classical music critic Lloyd Schwartz's favorite movie themes just happen to belong to films just released on DVD. He reviews four of them: Gone with the Wind, Freaks, I Vitelloni, and The Golden Coach.

Classical music critic Lloyd Schwartz tells why he likes the soundtrack for the Preston Sturges film Unfaithfully Yours, now out on DVD.