Animation & Cartoons

Film critic David Edelstein reviews Howl's Moving Castle, the new Disney film made by Hayao Miyazaki, who made the Academy-Award winning animated film Spirited Away.

Writer Mark Cotta Vaz's new book is Living Dangerously: The Adventures of Merian C. Cooper, Creator of King Kong.

Two extremely popular versions of the Cinderella story were produced in the 1950s. Both are now available on DVD, and classical music critic Lloyd Schwartz has a review.

Film historian Rudy Behlmer wrote the CD liner notes for the sound track of the film King Kong.

Misunderstood giants? None have ever been as popular as Shrek, star of two huge summer hits since 2001. Paramount's grumpy-green-ogre franchise is the epitome of the hand-hold movie: family flicks that serve up action, tomfoolery and life-lessons for the kids, nonstop pop-culture in-jokes for the adults, and fart jokes for the whole family.

Director Brad Bird and actor Patton Oswalt talk about their film Ratatouille.

The new picture, from digital-animation powerhouse Pixar, opens nationwide tomorrow; it's a comedy about a foodie rat who becomes a chef in a top Paris kitchen.

Bird previously directed and wrote The Incredibles and The Iron Giant.

Oswalt, who provides the voice of the leading rat, Remy, is a writer and stand-up comedian. He's also something of a serious foodie himself — which is in part why Bird wanted him to play his furry hero.

Two momentous films open nationwide on the same day. Sicko radically challenges our perspective on health care. Ratatouille radically challenges our perspective on rats in kitchens. Cynics will say there's a better chance of a rodent becoming a chef than of universal health care for Americans. That underestimates the big fighting rat at the center of Sicko.

Comedian and actor Patton Oswalt stars in Ratatouille, the new animated feature from Pixar. He's also a writer and stand-up comic, who starred in his own comedy specials and appeared in the TV shows The King of Queens and Reno 911! He'll release a new comedy album, called Werewolves and Lollipops, on July 10.

Al Jean knows Marge, Homer, Bart and the gang better than almost anyone. He's executive producer and writer for The Simpsons, and he's been with the show since it began. The new Simpsons movie, he's been heard to say, is about "what happens when a man doesn't listen to his wife."

Before The Simpsons, Jean worked on TV's A.L.F. and It's Garry Shandling's Show.

Film critic David Edelstein reviews “The Simpsons Movie.”

Critic Milo Miles reviews the new four-DVD set, Popeye the Sailor 1933-1938. The animated series features the classic Popeye cartoons by the Fleischer Brothers studios. Miles calls the set a first-rate reissue.

Pixar has always focused on loss, decay, and the dark side of materialism. Here that theme extends to the ruination of the planet — and Wall-E ranks among the most sublime feature-length works of animation ever made in this country.

The man behind Nemo and Wall-E has warmed hearts with his unlikely heroes — a clownfish? A sentient trash compactor? He tells Terry Gross about finding inspiration in unlikely places, and in everyday objects.

With its exquisite visuals, Henry Selick's Coraline turns Neil Gaiman's dark fantasy into a stop-motion masterpiece — and one children's tale that's decidedly not just for the kids.

The latest from the Monsters, Inc. director is an adventure story featuring a grouchy old man, a chubby boy, a 13-foot-tall flightless bird and a house set aloft by balloons.

It's a double feature from critic David Edelstein, who says Pixar's sublime new film Up reaches heavenward, while Sam Raimi's deliciously gory Drag Me to Hell crawls in the opposite direction.

Straightforward and kid-friendly, Hayao Miyazaki's Ponyo isn't the animation master's most complicated film. But in some ways, the film's simplicity offers a clearer look at the director's greatness. Movie critic David Edelstein explains.

Director Wes Anderson's first animated film is based on Roald Dahl's cheerfully wicked children's book about a wily fox who wages war on three farmers. Critic David Edelstein says the film -- with its stop-motion animation, big-name voice talent and quirky mannerisms -- achieves a degree of realism that isn't always apparent in the cult director's work.

Director Wes Anderson has worked on a lot of film projects, but with his latest film, Fantastic Mr. Fox, he ventured into new territory: animation. Anderson says that making a stop-motion picture is the most involved filmmaking he's ever done, but he also says that the process has "a sort of magic."