Navy intelligence analyst Jonathan Pollard was arrested by the FBI for giving classified information to the Israeli government. DC Bureau Chief for The Jerusalem Post Wolf Blitzer reported the story, and had unprecedented access to Pollard in prison. Blitzer's new book about the affair is called Territory of Lies.
Ken Tucker returns with his latest countdown of noteworthy songs. His list features Roachford, Peter Case, Tim Finn, The Fabulous Thunderbirds, and Elvis Costello.
Winfield won an Academy Award for his role in Sounders, and is a featured actor in the television show Wiseguy. He joins Fresh Air to talk about his career to date, and his involvement with black arts and civil rights movements.
Colonel David Hackworth was the model for the character of Kurtz in the film Apocalypse Now. He served in the Vietnam War, and grew frustrated by what he saw as a failure of leadership. Hackworth is currently the most decorated soldier in U.S. history. His new memoir, about his experience on the battlefield and his eventual retirement from the Army, is called About Face.
Linguist Geoff Nunberg reflects on the use of racist terminology in the musical Show Boat. He says that later revisions were still problematic: they illustrated the enduring assumption that white liberals can accurately and authentically portray African American culture.
The contemporary composer, known for his difficult and ironic music, has as new album of tone poems, narrative orchestral music, and works for a children's choir. Classical music critic Lloyd Schwartz has this review.
The queen of New Orleans soul would have been a bigger star if she had moved to New York or Los Angeles earlier in her career, argues rock historian Ed Ward. Despite her local success, Thomas only had a few national hits. But by all accounts, she's happy now, performing in regional blues circuits and raising her four children.
Book critic John Leonard says the historian's newest work, called Citizen, is intellectually reprehensible, ignoring both past and present scholarship to craft a familiar and tired narrative of French democracy. Yet the writing is lovely, and propelled Leonard to the end of the book, kicking and screaming.
Kingston's new book, Tripmaster Monkey, is about a fifth-generation Chinese American man in the 1960s, who tries to find a balance between his two cultures. She joins Fresh Air to talk about her life as a first-generation immigrant, her relationship with her mother, and how she developed her voice as a storyteller.
Part 2 of the Fresh Air interview with Bob Balaban. He talks about the kinds of roles he played early in his career, and his show business lineage: his grandfather was a movie producer; his father helped operate a movie theater chain; and one of his uncles was president of Paramount.
Part one of the Fresh Air interview with Bob Balaban. He made his directorial debut with Parents, about a suburban family's dark secret. As an actor, he starred in Close Encounters of the Third Kind and Absence of Malice.
Self-professed Ellington fanatic Kevin Whitehead reviews Recollections of the Big Band Era and Piano Duets, both of which, he says, reveal why the composer and pianist was so admired by later jazz innovators like Cecil Taylor.
Vecsey has a new book called A Year in the Sun, about his career in sports journalism. He writes for The New York Times, and covers the lives of athletes both on and off the field.
The new half-hour comedy Nick and Hillary is a reworking of the hour-long barroom drama Tattinger's. TV critic David Bianculli is a fan, though he admits the show's groan-worthy jokes are polarizing.
Political editor for the Boston Globe Ben Bradlee, Jr. has a new book about the National Security official, called Guts and Glory. He joins Fresh Air to discuss North's early life and his forthcoming trial for his involvement in the Iran-Contra affair.
Part 2 of the Fresh Air interview. Crowe talks about how, at 22, he posed as a high school student to research his movie Fast Times at Ridgemont High. He says youth culture had already changed drastically in the four years since he had graduated, especially with rise of Reagan youth.
Film critic Stephen Schiff reviews Cameron Crowe's directorial debut, about a lovestruck high school graduate, the beautiful overachiever he desires, and her doting father. Schiff says the plot is remarkably similar to The Graduate -- only Say Anything is the better movie.
Part I of the Fresh Air interview with Cameron Crowe. His new movie, Say Anything, is about a young man coming to terms with adult love. The film is Crowe's directorial debut.
