Political writer and correspondent in the Middle East for the New Yorker, Milton Viorst. Terry will talk with him about the massacre last week in the mosque in the West bank, and it's affect on the peace process between Israel and the P.L.O. They'll also discuss his new book "Sandcastles: The Arabs in Search of The Modern World" (Knopf). Called by one commentator "a psychological and social tour of the Arab people and the wondrous cities they live in", "Sandcastles" features VIORST's travels in Egypt, Iraq, Lebanon.
Actress and comedian Janeane Garofalo. She's a regular on HBO's "The Larry Sanders Show," where she plays the caustic casting agent, and was a regular on FOX's "The Ben Stiller Show." Now she's appearing in the new film directed and starring Ben Stiller, "Reality Bites." Her stand-up persona has been described as "a bitter, boot-wearing feminista." Which they go on to describe as "no act" on her part.
Former Major Leaguer Keith Hernandez. Called by some baseball purists the finest First Baseman in the game, Hernandez played with the St. Louis Cardinals, the New York Mets, and the Cleveland Indians. He is the winner of eleven consecutive Golden Glove Awards for fielding, and played in two World Championships. Hernandez's new book is "Pure Baseball: Pitch by Pitch for the Advanced Fan" (Harper): analysis of two 1993 match-ups, with play by play commentary, based on his seventeen years in the game.
Doctor of Psychology and editorial writer for the New York Times, Brent Staples. His new memoir is "Parallel Time: Growing Up in Black & White" (Pantheon). In 1984, Staples' younger brother, a cocaine dealer, was murdered. Staples began a process of reconsideration of the major questions in his life: his distance from his family by graduate study at the University of Chicago; the demise and racial divisions of his industrial hometown in Pennsylvania. On missing his brother's memorial, Staples writes "Choose carefully the funerals you miss."
Author and long-time observer and student of China Orville Schell. Schell is correspondent for "Red Flag over Tibet," which will air tonight on PBS's Frontline (February 22 at 9 P.M. check local listings). In "Red Flag over Tibet," SSchell takes the viewers to that mysterious and isolated country on the "Roof of the World." He explores the question: Will Tibet survive its 40 years of occupation by China? He explains why the survival of Tibet--its people and its culture--has become an international issue.
Drummer Arthur Taylor. He's played with Sonny Rollins, Charlie Parker, Miles Davis, John Coltrane and Thelonious Monk and he's put together a new expanded collection of interviews he's done with fellow musicians: "Notes and Tones: Musician-to-Musician Interviews," (Da Capo Press). It's one of the few books about black jazz musicians by a black man, and because of that Taylor's subjects were able to talk freely about the role of black artists in white society.
Reporter for The Washington Post Nathan McCall. He's written a new autobiography, "Makes Me Wanna Holler: A Young Black Man in America." (Random House). When McCall was twenty years old he was sent to prison for armed robbery.
Film critic Stephen Schiff reviews the film "Reality Bites," a comedy about Love in the '90's, directed by Ben Stiller and starring Winona Ryder and Ethan Hawke.
Lebanese-born author and journalist Hanan Al-Shaykh. Her novel "The Story of Zahra" (Anchor Books) has just been published in the United States. Several Arab countries have banned the book since its original publication 14 years ago. The Story of Zahra tells of a contemporary Lebanese woman struggling with life in her family and her war-ravaged native city of Beirut. Al-Shaykh's novel "Women of Sand and Myrrh" was published in the United States last year.
Poet and Professor of English at Yale, Wayne Koestenbaum explores the affinity of gay men for opera in his new book: "The Queen's Throat: Opera, Homosexuality and the Mystery of Desire" (Vintage). Koestenbaum traces the art-form back to its origins in The Camerata, a 16th century group of Florentine gentlemen, who studied ancient Greek musical theory. A self proclaimed "Opera Queen", Koestenbaum explores this rarely examined territory with what one critic has called "a brilliantly obsessive and funny memoir".
