Film director David Lynch has collaborated with Alan Splet on all of his movies. Splet joins Fresh Air to discuss how he helped Lynch create an unsettling atmosphere in movies like Eraserhead and Blue Velvet.
Critic-at-large Laurie Stone reviews two plays currently in production which reflect contemporary anxieties about sex. While As Is strips sex of pleasure, Les Liaisons Dangereuses revels in "pornotopic" eroticism.
The jazz pianist blends traditional forms with avant-garde harmonies. A favorite of the Fresh Air staff, he was commissioned to write and perform the program's theme song. He is joined by tuba and bass player Ralph Hamperian.
Blues singer and guitarist Homesick James can't remember how he got his moniker. He says it's a misnomer -- though he hails from Chicago, he doesn't call any place home. He performs two songs for Fresh Air.
Michael Crichton gave up a medical career to become a science fiction author and film director. His newest book, Sphere, deals with an alien encounter and a growing fear of computers.
While some reviewers think River's Edge could become the Blue Valentine of 1987, film critic Stephen Schiff says the film suffers from a weak message and poor casting.
Music publicist Derek Taylor was the press agent for the Beatles; he also ghost wrote the memoir of their manager, Brian Epstein. His new book, about 1967 -- when he started working for Apple Records -- is called It Was Twenty Years Ago Today.
Released six months ago, Jennifer Warnes' album Famous Blue Raincoat has gone gold, outselling every album by Leonard Cohen, who first wrote and recorded all the songs Warnes sings. Rock critic Ken Tucker says the popularity is deserved.
The novelist's new nonfiction book is a meditation on the violent, intense sport, which her father exposed her to when she was a child. Despite her interest in boxing, Oates finds it difficult to watch live fights.
Linguist Geoff Nunberg believes that the American disdain for foreign language education is a holdover from our isolationist past -- and a detriment to our culture.
Composer John Harbison recently won the Pulitzer Prizer. Classical music critic Lloyd Schwartz reviews a new CD featuring songs inspired by the poet Mirabai.
Allan Arkush is part of a new breed of directors who switches back and forth between film and television. A veteran of B-movies and cult films, he says TV offers more room for experimentation and narrative innovation.
Rock historian Ed Ward looks at how the country music establishment reacted to the burgeoning popularity of rock music in the 1950s and '60s -- sometimes in inept, out-of-touch ways.
Vladimir Vojnovič's first novel since his exile from Russia anticipates what communism might look like 60 years in the future. Book critic John Leonard thinks the the story contains some delightful slapstick.
Each of the photographs in Abigail Heyman's new book documents weddings from across the country. Guests were often confused by her presence -- she was never the official wedding photographer.
TV critic David Bianculli says that the documentary show, which shared a time slot with The Cosby Show, didn't deserve to be canceled -- despite its low ratings.
Jazz critic Francis Davis says that Steve Kuhn, who as a young man performed with John Coltrane's band, is only now finding his voice. Kuhn's new album is called Mostly Ballads.
Director Tim Hunter's new movie is about a teenage murderer and the impact his actions have on his friends. The movie stars Dennis Hopper, Keanu Reeves, and Crispin Glover.
James Lardner's new book examines how videocassette recorders have changed the motion picture industry and viewers' movie and television watching habits. The author also considers how nearly all VHS players are manufactured in Japan, though the technology was developed in the U.S.
