Rock critic Ken Tucker reviews new albums by Etta James, Willie Dixon and Toots. Tucker says it's refreshing that each of these artists continues to record and perform, even after their popularity has peaked.
Film critic Stephen Schiff bemoans Hollywood's current preoccupation with courtroom dramas -- most, he says, aren't very good. The new Jodi Foster movie The Accused, loosely based on a high-profile gang rape trial, leans too heavily on the lurid details of the case, and not enough on developing an interesting narrative.
The tenor saxophonist's father led a big band; Jacquet later played with Count Basie's group. He says that, early on, he was able to imitate the sound of great musicians of his era, but was slow to develop his own style.
Classical music critic Lloyd Schwartz just discovered pianist Tomsic Dubravka. He places her in the same category as masters like Glenn Gould and Artur Schnabel.
Guest critic Maureen Corrigan revisits Bel Kaufman's autobiographical novel Up the Down Staircase, about a rookie high school teacher who must contend with limited institutional support. Corrigan herself is a college instructor, and believes many of Kaufman's insights still ring true twenty years later
Journalist Elaine Shannon's new book, Desperados, looks at the international impact of the illegal drug trade. She says that major banks and state governments have been complicit in drug trafficking by accepting bribes and laundering money. The U.S. government has faced difficulty curtailing these crimes, in part because of its desire to maintain diplomatic relations with the countries involved.
Waart specializes in 20th century classical music, and leads the Minnesota Orchestra. He first established himself in the Netherlands before moving to the United States. Wart joins Fresh Air to discuss the differences between American and European orchestra management, and the need for more adventurous programming.
Film critic Stephen Schiff reviews the new film based on the life of legendary saxophonist Charlie Parker. Schiff says it makes up for its lack of narrative drive with insight and an excellent soundtrack.
Rock historian Ed Ward profiles the late guitarist, whom he knew personally. Bloomfield grew up a rich kid in Chicago, and later started one of the city's first integrated blues bands. He's notable for updating the genre by linking it to folk traditions.
The writer's new book, An Empire of Their Own, examines the long-neglected history of how a group of Jewish European emigrees created the screen's idea of the American Dream, and how America adopted that dream.
Paul Nitze has advised both Republican and Democratic presidents over the decades on arms control. While working in the Reagan administration, he helped reopen negotiations with the Soviet Union. Nitze also reluctantly advocated for the Strategic Defense Initiative as a deterrence program. Journalist Strobe Talbott's new book, Master of the Game, details Nitze's career.
Composer and clarinetist John Carter's music takes its cues from a variety of American traditions, including jazz, folk songs, and the works of fellow composers Charles Ives and Morton Feldman. Kevin Whitehead reviews Carter's new album, Fields.
Korder's play, about a television journalist, is being adapted into a TV movie for HBO. He talks about his frustration with the static nature of television writing, and what it takes to craft great dialogue.
Television critic David Bianculli reflects on the importance of the long-running news magazine, which celebrates two decades on the air. He says the show masterfully balances political and pop culture coverage, and embraces a compelling, more freewheeling style of reporting.
Director Tobe Hooper sought to earn a PG rating for his groundbreaking horror film. The film got an R, but the attempt resulted in a movie that relied more on Hitchcock-like suggestion than explicit gore to inspire fear and disgust. Texas Chainsaw Massacre was recently included in the Museum of Modern Art's permanent collection.
Book critic John Leonard says that Greene has trained readers to fill the gaps in his novels and flesh out his sometimes underdeveloped characters. Leonard is a longtime admirer of the author, but says his newest book is more of a notebook than a polished novel.
Language commentator Geoff Nunberg reflects on how changing modes of speech in motion pictures signify a character's personal transformation. The 1938 version of Pygmalion is a great example -- but the trope can be found in several other films.
Every three years or so, a collection of Pauline Kael's movie reviews are collected into a book. Her forthcoming anthology is called Hooked. Kael believes film once served as a kind of common culture, and bemoans the fragmentation of movie audiences. She joins Fresh Air to talk about the state of the film industry and the changing tastes and expectations of audiences.
The former teen model later pursued an acting career on stage and screen. Despite her efforts to distance herself from her early days in fashion, Twiggy says it would be untenable for her to give up her distinctive moniker. She costars in the new movie Madame Sousatzka, in which she plays an aspiring pop star.
