Film critic Stephen Schiff hoped that the age of the teen comedy was over -- but he was impressed by Heathers, which captures the emotional intensity of high school life.
Rock critic Ken Tucker appreciates Madonna's provocative public persona; she's used her irresistible music to create videos and commercials that make controversial use of religious iconography. But her new album can't fully match her image; Tucker says there are too many ballads and not enough pop hooks.
Fallows writes for the Atlantic Monthly, and reports on Asia. His new book, More Like Us, examines the cultural differences between the United States and Asian countries, and argues that America needs to embrace its unique diversity -- and work to resolve class differences -- in order to reach its full potential.
Scholar Kathryn Montgomery says that deregulation in the late 1980s has led to the rise of different advocacy groups who seek to influence television programming, often by targeting advertisers. Her new book, Target: Prime Time, explains how both minority and religious groups have mobilized in recent years.
Not much of Cornysh's work survives, but the vocal ensemble the Tallis Scholars has unearthed enough to record a new album of the composer's sacred and secular music. Classical music critic Lloyd Schwartz says it's as excellent as all of the ensemble's previous recordings.
John Leonard reviews fellow book critic Jonathan Yardley's new memoir, Our Kind of People. Leonard disagrees with Yardley's world view, but his real criticism lies in how the author glosses over the enduring literary and cultural legacy of WASPs in the United States.
Johnny Kidd started wearing his trademark eyepatch after a guitar string snapped mid-concert and injured him. His rockabilly-infused music inspired several British invasion bands, but Kidd could never match their success. Rock historian Ed Ward tells the story of his short career, and the legacy of his backing band, the Pirates.
Tan's first novel is called The Joy Luck Club, which is about a group of Chinese mothers who try to understand their American-born daughters. She joins Fresh Air to discuss her relationship with her own mother, and her mother's home country.
Carl Bernstein, who broke the Watergate story with his colleague Bob Woodward, has a new memoir about his parents, called Loyalties. Bernstein's mother and father were communist activists during the McCarthy era, and were monitored by the FBI.
HBO will soon air the animated show Babar, about an elephant and his family. TV critic David Bianculli says the program joins the ranks of other recent, excellent children's programming like Shining Time Station and the Peter Pan musical. More importantly, his kids love it too.
Jazz critic Kevin Whitehead reviews a new reissue of recordings by Artie Shaw's quintet, the Grammercy Five, which went through a lineup changes over the years. He says it reveals the seriousness of Shaw's search for greatness.
Pianist Kenny Barron says that the late jazz musician's style was jagged, percussive and dissonant. Barron performs some of Monk's compositions to demonstrate this innovative approach.
Writer Mark Ribowsky has a new biography on the prolific and reclusive record producer, called He's a Rebel. Phil Spector innovated new studio techniques; his airy, heavily-overdubbed music helped form the California sound. Ribowsky also describes Spector's severe, domineering personality, and his frustration with changing trends in pop music.
Critic Ken Tucker reviews the Oscar-winning 1943 film, which was credited with galvanizing support for the Allies during World War II. Contrary to some contemporary attitudes toward the movie, critic Ken Tucker says Mrs. Miniver critiques, rather than celebrates, bourgeois life.
Raitt's first album in three years, called Nick of Time, was produced by Don Was of the band Was (Not Was). Rock critic Ken Tucker says its diverse songs showcase the singer and guitar player's rich voice and increasing accessibility.
That's the claim of oceanographer Dr. Robert Ballard, who says we've explored less than 1% of the deep sea. Ballard has made dozens of dives in manned submersibles, and has been instrumental in the development of research based on robotic, tele-presence. He joins Fresh Air to share some of the discoveries he's made throughout his career.
Stephen Schiff says that the sequel to Fletch is a bad movie that viewers can still enjoy once they acclimate to its pacing. Star Chevy Chase also delivers a better performance this time around, in part because he finally embraces his strengths as a character actor.
Ted Schultz edited a new book called The Fringes of Reason, which compiles conflicting opinions of supernatural, New Age, and cosmological world views. Schultz is now studying entomology, which he says is related to his curiosity about what is and isn't real.
