Writer Jack Olsen. He's been called a master of the `true crime' genre, and in his new book, Doc, he tells the story of how Dr. John Story, one of the most respected citizens of Lovell, Wyoming, systematically raped his patients, and how, in this ultra-conservative, God-fearing environment, the women either couldn't speak up, or, when they did, were dismissed. Lovell is set in Mormon country, and many of the women the doctor victimized feared excommunication for "fornication" if they when to the authorities, who, invariably, were also elders in the Mormon church.
Writer Allan Gurganus. His novel, Oldest Living Confederate Widow Tells All, which is scheduled for publication later this fall, is the story of a blind 99-year-old widow, now confined to a nursing home, whose stories about her life and her husband's take in almost 150 years of American history. Mostly her stories focus on her husband and how his experiences in the Civil War, when he was only 13, haunted him, and her, until he died. Gurganus, a professor of writing at New York's Sarah Lawrence University, has written for The New Yorker, Harpers and The Atlantic Monthly.
Television Critic David Bianculli reviews the Arts and Entertainment Network's tribute to the 20th anniversary of man's walk on the moon. (The anniversary is on July 20th.) This special comes as most all the networks are airing a tribute to the event. But in this instance the program tries to re-create the sensations that accompanied the event by playing back, in real time, the live network transmissions as the story unfolded. Former NBC correspondent Edwin Newman is the host.
Comic Andrea Martin. She was an original member of the Canadian SCTV comedy troupe and one of its brightest stars for seven years. Her co-stars included John Candy, Eugene Levy and Martin Short. Martin brought to life the neurotic talk show host Libby Wolfson, cleaning lady Pirini Scleroso, and, perhaps her best known character, the TV station manager Edith Prickley. Martin recently starred in her own cable TV comedy special on the Showtime channel.
Rock critic Ken Tucker reviews the new albums from singer/songwriters Jackson Browne and Loudon Wainwright III. Browne, though he's recorded infrequently over the last eight years, is still very popular, while Wainwright, who plays in small folk clubs and on college campuses, is little noticed. Ken explains why it's Wainwright that deserves the attention.
Musician Lucinda Williams. She's been playing the folk and country scenes for most of the 80s, but her new album, titled "Lucinda Williams," is a type of straight-ahead story telling that crosses genres. Many listeners think of Williams as a folk singer, but in this album, Williams fronts a rock band.
Classical music critic Lloyd Schwartz reviews a new release of piano works by the French composer Alkan. Although he's little known now, Lloyd says during the 19th century, Alkan reputation, both as a composer and as a performer, rivaled that of Liszt.
Cartoonist Howard Cruse. He draws a comic strip called "Wendel" that follows the life of a young gay man. The strip is a regular feature in the gay and lesbian newsmagazine The Advocate. Recent "Wendel" strips have just been collected in the book Wendel On The Rebound, published by Saint Martin's Press.
Journalist MICHAEL KAUFMAN. His new book, Mad Dreams, Saving Graces - Poland: A Nation in Conspiracy, charts the rise, fall and resurrection of the democratic movement in Poland. Leading this drive has been Solidarity, the shipworkers' union headed by Lech Walesa. But Kaufman also traces the hidden spiritual undercurrents in Polish history and culture and that make this quest toward self-definition considerably more complex. Kauffman served as Warsaw bureau chief for The New York Times from 1984 to 1987. He has also been bureau chief for the Times in Nairobi, New Delhi and Ottawa.
Photographer Larry Sultan. In a photography exhibit now on display at the Museum of Modern Art in New York City, Sultan is represented by work from a project he began in 1983 about his family's history. A key feature of the work, and a feature that appears in all of Sultan's work, is capturing subjects at "off" moments, situations where they least expect, or wish, themselves to be photographed.
Author Rick Bass. His new book, Oil Notes, is a journal based on Bass' experience as a geologist looking for oil throughout the American West. Bass has also written short stories, essays, and environmental journalism.
Historian and writer Simon Schama. His revisionist history of the French Revolution - Citizens: A Chronicle of the French Revolution - has been one of the most talked-about and debated volumes of history in the last several years. Critics have lauded Schama for bringing vividly to life the characters that inspired the five-year popular uprising that changed the modern political order.
Jazz Critic Kevin Whitehead reviews volumes 6 through 10 of Duke Ellington's "Private Collection," a series featuring previously unreleased Ellington compositions. Kevin says when the first five volumes were released it was a revelation. This new collection isn't quite as brilliant, but it's still a must have for any serious Ellington fan.
Television critic David Bianculli reviews "False Witness," a syndicated TV special that re-examines the facts surrounding the Jeffrey MacDonald murder case, the same case chronicled in the book "Fatal Vision," and the subject TV miniseries of the same name.
Writer May Sarton. For many readers, Sarton is a heroic figure for her decision to expose her lesbianism in the early 60s, long before it society was tolerant of the gay life, and also for her decision to lead a life of solitude. The author of over 35 novels, books of poetry and essays, Sarton is probably best known for her journals, Recovering, and At Seventy. Her most recent book of poems, The Silence Now, explores themes from the solitude of the aging, to AIDS, to world peace.
Artist Chris Burden. He gained fame as a conceptual artist in 1971 when he had a friend shoot him in the arm as part of a performance piece at a Santa Ana gallery. Burden's concern with realism (one critic calls it his greatest strength and greatest weakness) is reflected in a touring retrospective of his works, which include sculpture, and also artifacts of his conceptual pieces.
