Cunningham's new novel, A Home at the End of the World, is about the friendship and sexual relationships between two men and woman. It was inspired in large part by Cunningham's own ambiguous sexuality, as well as living through the AIDS crisis.
Critic Maureen Corrigan is a staunch Dick Francis fan, despite his problematic takes on race and gender. Though his horse racing-themed novels are formulaic, Francis can still weave a suspenseful story. Corrigan reviews his 29th novel, Longshot.
Rock historian Ed Ward takes a look at the early days of the folk revival, and profiles some of the singers that gained exposure through the politically-charged magazine, Broadside.
Literary critic Denis Donogue was a Catholic who grew up in a community suspicious of Protestants. His memoir about his life in Northern Ireland, and his father's career in the constabulary, is called "Warrenpoint."
Jazz critic Kevin Whitehead reviews Rif, the new album by Dutch bassist Maarten Altena and his octet. Altena, who was a practitioner of free jazz, is also influenced by 20th century composers such as Stravinsky and Morton Feldman.
Book critic John Leonard reviews Ken Kesey's account of traveling the country in his bus Further during the 1960s. Leonard says it details Kesey and the Pranksters' many trips, but fails to explain their countercultural worldview.
The stage and screen actor's career has spanned nearly 50 years. One of his most well-known films is the Magnificent Seven. Wallach is currently touring the country in the play Love Letters with his wife Anne Jackson, and also has a role in the upcoming film, Godfather Part III.
We finally know who killed Laura Palmer. Or do we? Television critic David Bianculli has some thoughts on this week's episode of "Twin Peaks." He recommends sticking with the show over the new ABC mini-series, "It," based on the Stephen King novel.
When writer Natalie Kusz was six years old, her family moved from Los Angeles to the Alaskan wilderness. That first winter, a neighbor's sled dog attacked Kusz, and tore off part of her face. Kusz's memoir details that event and its effect on the family.
Book critic Maureen Corrigan reviews "Possession" by A. S. Byatt. It's a throwback to the big Victorian novels of the 19th century, but with postmodern nods to contemporary literary theory.
James Fogle was a drug addict who, along with others, robbed drugstores to feed his habit. The film Drugstore Cowboy is based on his autobiographical novel of the same name; the book wasn't yet published at the time of production. It's now in stores. Fogle is currently serving a prison sentence, and joins Fresh Air by telephone.
Chinese student activist and organizer Shen Tong participated in protests that preceded the tragic incident. He's written a book about the experience called Almost a Revolution.
Newsweek magazine's religion writer Kenneth L. Woodward's new book examines the politics surrounding how the Roman Catholic Church decides who will become a saint. Woodward says it's the most democratic process in a profoundly undemocratic institution.
Biographer and journalist Anthony Holden took a year off from writing to play in poker circuits around the country. It turns out he was pretty good. He documents that experience in a his new book, Big Deal.
Rock critic Ken Tucker says The Traveling Wilburys' new, ironically titled second is filled with annoying jokes. But the band gives the members of the group a chance to relax and let loose -- which gives this album some charm.
Film critic Stephen Schiff reviews "Dances With Wolves," starring and directed by Kevin Costner, about a soldier in the 1860s preserving the frontier and forging alliances with American Indians. Schiff says it's corny and overdone, but reminds him of the entertaining Westerns of the 1950s.
Classical music critic Lloyd Schwartz discusses the history of musicians adapting Bach's music for their own instruments -- regardless of what the piece was originally composed for. He says Sharon Isbin's new album of Bach's Four Lute Suites is in an excellent example -- it has a depth of emotion he doesn't normally associated with the guitar.
Television critic David Bianculli reviews the latest sequel to Hitchcock's thriller, made for the Showtime network. Anthony Perkins reprises his role as serial killer Norman Bates; this time, we get a glimpse of his childhood. Bianculli says it's surprisingly good, and leaves open the possibility for even more sequels.
Parks directed the early black action film, Shaft. His son, who died in 1979, was also a director. The elder Parks began his career as a photographer for Vogue and Life, and documented difficult aspects of the African American experience. He's just written his memoir, "Voices in the Mirror."
Fresh Air producer Amy Salit talks with Grateful Dead drummer, Mickey Hart. Hart's also long been involved with the drumming traditions of other cultures. Hart has a new book called "Drumming At the Edge," and a CD called "At the Edge."
