Maureen Corrigan

Book critic Maureen Corrigan reviews The Runaway Bride, Elizabeth Kendall's book about women's portrayals and roles in the early era of film. The author says these women were allowed to be smarter, funnier and more self-respecting in ways that are uncommon today.

Critic Maureen Corrigan, who lives in Washington, DC, talks about one of the unforeseen consequences of the current budget stalemate -- the closure of popular tourist spots in her home city.

Commentator Maureen Corrigan talks about her admiration of Erich Auerbach, Leon Trotsky, and Fernand Braudel, writers who were somehow able to write expansive, well-researched books while in prison or exile -- without notes or access to other texts and documents.

Ellis Island reopens to the public soon. Commentator Maureen Corrigan shares her disappointment that she'll have to pay if she wants her grandparents' names inscribed on the new American Immigrant Wall of Honor.

Book critic Maureen Corrigan reviews John McPhee's Looking for a Ship, about the U.S. Merchant Marines. McPhee joined the crew on one of the last remaining ships for a forty-two day voyage to South America.

Book critic Maureen Corrigan says that, after reading the writer's first two autobiographies, it's shocking to confront Simon as an old woman. The third and final memoir, published after Simon's death from stomach cancer, is called Etchings in an Hourglass.

The author of The Satanic Versus has been in hiding due to threats on his life. He's written a new essay, published in Granta and separately as a pamphlet, about his life since then, and his evolving perspectives on literature and religion. Maureen Corrigan has this review.

Book critic Maureen Corrigan reviews Gone Primitive by Marianna Torgovnick. The book argues that images of so-called primitive people in art often reflect the fears that mainstream culture has of the Other.

A new made-for-TV movie about the late actress's life and television career, called Lucy & Desi: Before the Laughter, is as awful as any tele-movie, says critic Maureen Corrigan. Since Ball's death last year, networks have been trying to recapture the magic of Lucy's sitcom -- an impossible task since, according Corrigan. the original show was nearly perfect.

After ceasing publication last November, the feminist magazine, founded by Gloria Steinem, is back on (at least some) newsstands. Book critic Maureen Corrigan praises its return and its inclusion of more diverse writers. But the changes comes at a price -- now ad free, the cost of each issue has gone up.