Lloyd Schwartz

Classical music critic Lloyd Schwartz reviews two recent reissues of violinist Joseph Szigeti playing Bach. Lloyd says that Szigeti was one of the 20th centuries Bach pioneers.

Our classical music critic Lloyd Schwartz has a new collection of poems, "Goodnight, Gracie," (published by Phoenix Poets). David Lehman calls this new collection, "a moving and inventive collection, his best and most ambitious to date." LLOYD is also music editor of The Boston Phoenix and is co-director of the Creative Writing Program at the University of Massachusetts.

Classical music critic Lloyd Schwartz reviews a new recording of Opera Finales performed by soprano Josephine Barstow. (on the Decca label).

Classical music critic Lloyd Schwartz reviews the restored score of Voltaire's "Candide," conducted by Leonard Bernstein a year before his death.

Classical music critic Lloyd Schwartz reviews a new collection of works by French composer Charles Koechlin ("Kuhch-LAN") performed by Boston Symphony flutist Fenwick Smith. (The album's called "Music for Flute" and it's on the Hyperion label).

Classical music critic Lloyd Schwartz reviews the new release by conductor Craig Smith. Smith is best known as the conductor of Peter Sellars' controversial stagings of Mozart operas. His new recording is of a series of motets by German composer Heinrich Schutz (rhymes with "putz"). It's performed by the Chorus of Boston's Emanuel Church, and it's on the Koch International Label.

Classical music critic Lloyd Schwartz reviews a reissue of an album of Mozart and Beethoven Duos and Sonatas.

Classical music critic Lloyd Schwartz tells us about a new release of some early performances by New York Philharmonic Conductor Sir John Barbirolli.

Classical music critic Lloyd Schwartz reviews the new opera, "The Ghosts of Versailles ("vahr-SIGH") by composer John Corigliano ("core ee ahn no"). It premiered two weeks ago at the Metropolitan Opera in New York, the first new opera to premiere at the Met in 25 years.

Classical music critic Lloyd Schwartz reviews the new and first recording of conductor Benjamin Zander and the Boston Philharmonic Orchestra.