Justin Chang

Five years after directing and acting in the remake of "A Star Is Born," Bradley Cooper is once again in front of - and behind - the camera with "Maestro," in which he plays the famed composer Leonard Bernstein. The movie centers on Bernstein's marriage to the actor Felicia Montealegre, played by Carey Mulligan. "Maestro" began a limited theatrical release this week and will start streaming December 20 on Netflix. Our film critic Justin Chang has this review.

In Todd Haynes' new movie, "May December," Natalie Portman plays a famous actor who's researching a role inspired by a tabloid scandal from years earlier. Julianne Moore and Charles Melton also star in the movie, which opens in theaters today and begins streaming December 1 on Netflix. Our film critic, Justin Chang, has this review.

Adapted from Priscilla Presley's 1985 memoir, the film shows us the cracks in Elvis' Prince Charming veneer — the way he lavishes Priscilla with attention and then suddenly withholds it.

The new comedy "The Holdovers" finds actor Paul Giamatti reuniting with director Alexander Payne for the first time since their Oscar-winning 2004 film "Sideways." In the new movie, Giamatti plays a teacher at a New England boarding school in 1970 left looking after a group of students, or holdovers, staying put through the Christmas break. Our film critic Justin Chang has this review.

As in his earlier period dramas, like The Age of Innocence and Gangs of New York, Scorsese brings a highly specific bygone era to vivid life. But this story of enviable wealth is also one of exploitation.

The top prize at this year's Cannes Film Festival went to the French film "Anatomy Of A Fall," directed and co-written by Justine Triet. The movie, which opens in theaters this week, is a murder mystery and courtroom drama starring German actor Sandra Huller as a writer accused of killing her husband. Our film critic Justin Chang has this review.

Set decades into the future, the movie begins with a prologue charting the rise of artificial intelligence.

Kenneth Branagh and his screenwriter, Michael Green, have smartly overhauled the Agatha Christie story "Hallowe'en Party" , which is now set in 1947 Venice.

Roger Ross Williams directs even the bloodier wrestling scenes with an elegance that makes us aware of the artifice; this isn't exactly the Raging Bull of lucha libre movies, and it isn't trying to be.

Two queer best friends start a self-defense class for girls as a ruse to hook up with cheerleaders in a film that's both a disarmingly sweet love story and a merciless comic pummeling.