Visual arts/museums

Cartoonist Art Spiegelman, author of "Maus," for which he won a Pulitzer Prize, and "Maus II." The two book-length comics are accounts of Spiegelman's s parents' experiences in the Holocaust. He is also co-founder and editor of "Raw," a magazine of avant-garde comics. He has now illustrated "The Wild Party: The Lost Classic by Joseph Moncure March."

Pop artist David Hockney. He's worked in many mediums-- from painting and drawing to working with fax and copy machines. Hockney made waves in the art world with his take on photography--compiling hundreds of polaroid snap-shots in a photocollage. In 1979 Hockney started to lose his hearing. Now, near deaf, his art reflects his insights on his loss of hearing. Hockney's new book, "That's The Way I See It" (Chronicle Books), is his second volume of reflections.

Photographer J.S. Cartier. A native to France, Cartier and his wife, Anna, returned to France and Belgium to take photographs for their "Western Front Project." Seventy-five years after the end of the First World War, the remaining vestiges and veterans are few, and vanishing quickly. For two years the Cartiers traveled "The Western Front," talking with villagers and veterans, and documenting the remaining traces of the war.

American artist Roy Lichtenstein. He was one of the inventors of pop art in the 1960's, finding inspiration for his paintings in comic books and advertisements. (More recently, he's found it in the yellow pages of the phone book). Lichtenstein's work often replicates the heavy black outlines, bright colors and dots of a color comic strip found in a newspaper. Called by one critic the "supreme virtuoso of pop", his work is filled with constant references to high and low arts as well as to his own work.

Artist Robert Irwin. He's been a pivotal figure in American Art for over 30 years. He was one of the creators in the late 60s of the "light and space" movement, using unobtrusive objects, such as light, tape, and string to alter the viewers perception of the space in which the work is found. His work can be found in public spaces throughout the country, often using material natural to that environment, and delving into the "character" of the place.

Maureen Corrigan reviews Donald Hall's new book, Life Work and the Mechanical Brides exhibit at the Cooper Hewitt Museum in New York which runs through January 2nd.

Children's book illustrator Ted Lewin. Lewin paid his way through art school in the 50's as a professional wrestler. His new memoir, "I Was a Teenage Professional Wrestler," (Orchard Books) includes Lewin's paintings of wrestlers. (Interview by Marty Moss-Coane)

One of the pioneers of the American underground cinema, film maker George Kuchar. He worked in ultra-low budget 8mm, and 16mm filming in and around the Bronx, where he lived, creating works that showed the disparity between the fantasy of Hollywood dreams and everyday reality. Kuchar's films include, "I was a Teenage Rumpot," "Pussy on a Hot Tin Roof," and "Lovers of Eternity." Now Kuchar is now working in a new form, the video diary. The American Museum of the Moving Image is holding a retrospective of his work (Aug. 6 - Sept.

Commentator Maureen Corrigan reflects on the opening of the Holocaust Memorial Museum and the Gay Rights March, two events which overlapped recently in Washington, D.C.

Serrano's 1987 photograph, "Piss Christ," showed the figure of Christ on a cross in a pool of urine. It was one of the controversial art works which provoked a storm from the political-right. His work was denounced on the Senate floor by Senator Jesse Helms, who then began a crusade against the National Endowment for Arts. Serrano has a new exhibit of photographs taken of dead bodies, called "The Morgue."