Theater

Film critic Stephen Schiff reviews "Steel Magnolias," starring Dolly Parton, Olympia Dukakis, Shirley McLain, and Darrell Hannah as a group of friends in a small Southern town.

Classical music critic Lloyd Schwartz has a review of a never-before-recorded Kurt Weill (Vile) opera. Weill is best-known for his collaborations with playwright Bertolt Brecht, such as "The Threepenny Opera" and "The Rise and Fall of the City of Mahogany".

Film Critic Stephen Schiff reviews "Shirley Valentine," the adaptation of the hit Broadway play. The film stars the British actress Pauline Collins, who also starred in the play.

Classical Music Critic Lloyd Schwartz reviews the final three performances of the PepsiCo Summerfare Arts Festival at Purchase, New York. For ten years, the Pepsi-Cola company has underwritten an annual international arts festival that will best be remembered for its ambitious presentations of operas by Mozart and Handel that were directed by Peter Sellars. In this segment, Lloyd reviews performances of Mozart's three great Italian operas, "The Marriage of Figaro," "Don Giovanni" and "Cosi fan tutte."

The New York-based Hughes is known for her daring, lesbian-themed work. Critic Laurie Stone reviews her newest piece, about the incestual relationship between a mother and daughter.

Classical music critic Lloyd Schwartz reviews a new Smithsonian box set of American musicals from throughout the twentieth century. His only complaint is that, with such a wealth of archival material, he wonders why more serious and contemporary music was included.

The drag artist, also known as Lipsynka, has a new one-person show in which he mimes the lyrics to women pop stars and fame-obsessed divas. Critic-at-large Laurie Stone calls the performance lovely and purposefully crude.

Critic-at-large Laurie Stone reviews the actor and playwright's latest performance piece, about growing up and a teenage stint in a juvenile home.

Classical music critic Lloyd Schwartz never saw She Loves Me on Broadway, but recently discovered the reissued original cast recording. He says the musical has the feel of classic operetta, and succeeds at everything it sets out to do.

A revival of Ain't Misbehavin', featuring the original cast, is now playing on Broadway. Critic-at-large Laurie Stone says she jumped at the chance to see it. Overacting and exaggerated choreography plagued the first act, but the cast showed restraint during the last half.