Rock

Fresh Air's rock critic combs the music charts to see which artists are making a splash internationally, but failing to find success in the United States. He features songs by Roxette, Holly Johnson, Neneh Cherry, and Queen.

Its easy for musicians to fall out favor in the city if they don't keep up with the latest sounds. But Lee Dorsey, who started singing at 35, was never interested in following the trends. Rock historian Ed Ward has this profile.

The new Batman film has spawned two soundtrack albums -- one of Danny Elfman's orchestral score, and the latter a collection of songs written and performed by Prince. Rock critic Ken Tucker says the artist doesn't quite succeed in crafting the rock opera he strove for, but it's refreshing to hear hear him loosen up and let it all hang out.

Rock historian Ed Ward profiles the Chicago-based vocal group, founded in 1952. During their long career, they've only had two lineup changes, and continue to put out hit records.

Rock critic Ken Tucker says that record labels have started to take notice of underground artists from the Soviet Union. He reviews three recent albums from Russian artists with hopes of American success.

Rock historian Ed Ward says that bands like the Rolling Stones helped popularize the distinctly African American genre. Interest in blues led more musicians to picking up the electric guitar, including Jimi Hendrix and Eric Clapton, who would take rock music in a new direction.

Rock critic Ken Tucker says that Paul McCartney's recent lackluster work has been eclipsed by other pop stars, including fellow Beatle George Harrison. His new album, Flowers in the Dirt, is familiar and sentimental, but features a few good songs cowritten with Elvis Costello.

Before starting his anarchic, avant-garde band the Mothers of Invention, Frank Zappa wrote chamber music and played in lounge bands. His new memoir explains how he went from a freelance guitarist to an unwitting rock star.

Rock historian Ed Ward looks at how country musicians in the age of Elvis took their cues from African American blues and boogie-woogie to develop a new, electric guitar-fueled style.

After a series of flops, David Bowie returns with a new band called Tin Machine. Rock critic Ken Tucker says they've succeeded in making some very dumb music. He suggests passing on their debut album and checking out the Royal Crescent Mob's Spin the World instead.