Rock

Eno has released several albums of ambient music, which were inspired by the classical avant-garde. His new album, a collaboration with John Cale called Wrong Way Up, is a more conventional rock record. He has produced albums for many new wave and pop bands, including Devo, Talking Heads and the Penguin Cafe Orchestra.

Unlike other blues musicians whose sound is rooted in a particular place, Cray moved around the country throughout his youth. His hits include such songs as "Smoking Gun" and "I Guess I Showed Her." He's got a new album now, Midnight Stroll, which revives the the style of 1960s soul.

Rock critic Ken Tucker respects the the role the premiere African American rock band plays in popular culture -- he only wishes they wouldn't re-appropriate so much bad heavy metal. Lyrically, Living Colour's new album, Time's Up, critiques the racism prevalent in rock music.

Rock historian Ed Ward remembers some country music-singing brother duos that preceded more famous siblings like the Everly Brothers.

Rock critic Ken Tucker agrees with the other reviews of Under the Red Sky he's read: Bob Dylan's smugness and surface-level lyrics come across as little more than a joke.

Cropper is a white musician who fell in love with black music. As a guitar player, he preferred working in the studio rather than on the road, and later became part of the house rhythm section for Stax Records. He's best known for his playing with Booker T & the MGs and Otis Redding.

Jim Morrison's out-of-control, self-destructive behavior nearly drove Densmore out of the band. Morrison died at 27; it took Densmore ten years to come to terms with his death. His new memoir is called Riders on the Storm.

Rock historian Ed Ward is one of the privileged few who can vote for this year's inductees. He thinks the artists who really shaped rock and roll are underrepresented. Miles runs through the ballot, weighing each musician's merits, before choosing his top five.

Rock critic Ken Tucker reviews new albums by Was (Not Was) and Too Much Joy, both of which incorporate humor and rap influences into their rock sound.

Music journalist Charles Shaar Murray is the author of Crosstown Traffic, about how fans and critics have defined the groundbreaking African American guitarist in relation to white culture. The tension between black musicians and white audiences continues today, particularly with the rise of rap music.