Music

Package tours in the early years of rock and soul were varied grab bags. But none were like The T.A.M.I. Show. Filmed in October 1964 in Santa Monica, the lineup included performers who weren't stars yet — like The Rolling Stones — and those at the peak of their fame, like Lesley Gore and Jan and Dean. Critic Milo Miles reviews the concert, just released on DVD.

Wolf was the lead singer of the J. Geils Band, which led many to assume he was J. Geils. He explains how the band — with hits such as "Centerfold," "Freeze Frame" and "Love Stinks" — actually got its name and discusses his new country-influenced solo album, Midnight Souvenirs.

Jazz drummers leading their own bands often feature intricate rhythms and brisk, driving momentum. Paul Motian, with his slow tempos, loose timing and tunes that go with rainy days, is so self-effacing, he's almost an anti-drummer. A little rustle of brushes and the faint boom of a bass drum may be all he'll use to nudge the music on.

The Grammy-winning country-music fiddler is still recording new tracks 70 years after he picked up his first instrument. Gimble's new album, Playing With Friends, features Vince Gill, Merle Haggard, Willie Nelson and Garrison Keillor.

Formed in the late '90s by guitarists and singer-songwriters Patterson Hood and Mike Cooley, the Drive-By Truckers hit a peak of critical success with its 2001 release Southern Rock Opera. Critic Ken Tucker says their latest album, The Big To-Do, is "head-clearingly refreshing."

Wilson Pickett helped define 1960s soul, along with Sam Cooke, Marvin Gaye, Otis Redding and James Brown. Critic Ed Ward reviews Funky Midnight Mover, a new six-disc compilation of Pickett's recordings, released by Rhino Handmade.

In addition to newsreels, cartoon and coming attractions, movie studios used to show musical shorts before feature films. Warner Brothers has just released a six-DVD set of these shorts called Big Bands, Jazz and Swing. Classical musical critic Lloyd Schwartz says the new set is wroth checking out.

Hall doesn't often hog the spotlight on his debut album, Into the Light. He doesn't need to; he plays more stuff behind other musicians than some drummers do in a solo. Hall stays busy back there, exhorting and swinging the band, playing contrary rhythms, shifting his patterns and punctuating everybody else's solos.

On her new three-disc album, the singer-songwriter accompanies herself on harp and piano, with occasionally elaborate arrangements incorporating strings and horns. Rock critic Ken Tucker calls Have One on Me an anti-concept album, an extended piece that rewards the work of the listener.

In 1975, Michael Abrasion decided to photograph the blues clubs of Chicago. The pictures Abramson took in Pepper's Hideout, among other venues, have been released in a set called Light on the South Side. Jazz critic Ed Ward takes a listen to Pepper's Jukebox, the CD released along with the photographs.