Music

Dedicated and curious music fans are regularly finding new chapters in rock history from around the globe. Critic Milo Miles reviews one recent collection, a series of anthologies focusing on the lively story of vintage pop in Panama.

Merle Haggard's new album is called I Am What I Am, a phrase that recalls the pugnaciousness of the cartoon character Popeye. But rock critic Ken Tucker says that Haggard's new album is neither combative or passively nostalgic — it's a collection of new songs, all of them written by Haggard, that prove how thoughtful the 73-year-old country star remains.

Soprano saxophone can be an unforgiving instrument. It's hard to play in tune, and many players get a pinched or nasal tone like it has a bad cold. Its biggest proponents — Steve Lacy, Lol Coxhill — do influence Sam Newsome, but he stakes out his own turf with eerie-sounding, hoarse and hollow split-tones.

The Plimsouls, an L.A.-based band led by singer-songwriter Peter Case, performed extensively during the early '80s. The new release of a Plimsouls performance from Oct. 31, 1981 (called Live! Beg Borrow and Steal) leaves critic Ken Tucker feeling freshly enthusiastic about the continued vitality of The Plimsouls' music.

Package tours in the early years of rock and soul were varied grab bags. But none were like The T.A.M.I. Show. Filmed in October 1964 in Santa Monica, the lineup included performers who weren't stars yet — like The Rolling Stones — and those at the peak of their fame, like Lesley Gore and Jan and Dean. Critic Milo Miles reviews the concert, just released on DVD.

Jazz drummers leading their own bands often feature intricate rhythms and brisk, driving momentum. Paul Motian, with his slow tempos, loose timing and tunes that go with rainy days, is so self-effacing, he's almost an anti-drummer. A little rustle of brushes and the faint boom of a bass drum may be all he'll use to nudge the music on.

Formed in the late '90s by guitarists and singer-songwriters Patterson Hood and Mike Cooley, the Drive-By Truckers hit a peak of critical success with its 2001 release Southern Rock Opera. Critic Ken Tucker says their latest album, The Big To-Do, is "head-clearingly refreshing."

Wilson Pickett helped define 1960s soul, along with Sam Cooke, Marvin Gaye, Otis Redding and James Brown. Critic Ed Ward reviews Funky Midnight Mover, a new six-disc compilation of Pickett's recordings, released by Rhino Handmade.

In addition to newsreels, cartoon and coming attractions, movie studios used to show musical shorts before feature films. Warner Brothers has just released a six-DVD set of these shorts called Big Bands, Jazz and Swing. Classical musical critic Lloyd Schwartz says the new set is wroth checking out.

Hall doesn't often hog the spotlight on his debut album, Into the Light. He doesn't need to; he plays more stuff behind other musicians than some drummers do in a solo. Hall stays busy back there, exhorting and swinging the band, playing contrary rhythms, shifting his patterns and punctuating everybody else's solos.