Music

Sun Studios founder Sam Phillips. He is revered as one of the leading catalysts in post WW II American music. As a record producer in the 1950s and 60s his recordings launched the careers of Elvis Presley, Carl Perkins, and Jerry Lee Lewis and that’s just to name a few. Next Month, Phillips will be a celebrity host on the public radio program Beale Street Caravan. Phillips is now in his mid 70s.

A concert and conversation with Eric Comstock. He's a cabaret singer and pianist whose love is rediscovering lesser known songs in American popular music history. InTheater magazine wrote, "Comstock tickles the ivories like a virtuoso and sings in a clear, warm straightforward style that owes much to Fred Astaire." For today's concert, he'll be joined by Dean Johnson on bass. Comstock has a new album, called "Young Man of Manhattan." (Harbinger Records)

The blues singer and guitarist has been credited with helping bring the traditional acoustic sound of Mississippi Delta Blues to contemporary blues audiences. He has a new CD called "Fish Ain’t Bitin’," by Alligator Records. His first album is titled Between MIdnight and Day.

Ken Emerson talks about the subject of his new biography, Stephen Foster. Foster was a nineteenth century songwriter who had a strong impact on American music. He was the composer of many familiar songs including, "Oh! Susanna," "Camptown Races," and "Jeanie with the Light Brown Hair." Emerson says Foster was heavily influenced by black music. And even though the music was often performed in the offensive black-face style, his songs sometimes betray a sympathy for African-Americans.

In 1994, Philadelphia-based DJs and recording artists King Britt and Josh Wink joined their creative efforts together to form Ovum Recordings, an independent record label. Britt and Wink are each celebrated techno performers in the international dance music community and each has his own unique music style. Ovum recently agreed to a worldwide label pact with Ruffhouse/Columbia Records.

Earlier this year, 75 year old South Carolina resident Mary Moran had the unique opportunity to go to Sierra Leone with other members of her family. Moran's mother had taught her a song in an African language which had been in the family since an ancestor had been brought over from Africa two hundred years ago. In 1989, through the efforts of anthropologist Joseph Opala and ethnomusicologist Cynthia Schmidt, it had been discovered that this song, composed in the Mende language, was still sung by certain villagers in Sierra Leone.

Rap vocalist Darryl McDaniels of RUN-DMC talks about the group's success. McDaniels is the "DMC" of the group. They were the first rap group to earn gold, platinum and multi-platinum albums. Their most recent album is "Down with The King" released in 1994. But RUN-DMC is expected to release their next album later this year. The group is credited with bringing new fashions, new dances, and new language to popular culture.

Composer Alf Clausen is the man behind the music of "The Simpsons." There's a new compliation CD of music from the animated cartoon TV series, "The Simpsons: Songs in the Key of Springfield" (Rhino).

In light of the deaths of rappers Biggie Smalls and Tupac Shakur, a discussion on the culture of rap and the violence that surrounds it with Chicago police officer Eric Davis. He's a member of the rap group the Slick Boys. Davis and two other officers founded the group in 1991 to provide positive role models for the inner-city kids they encountered on their jobs every day. The group has received national acclaim for their songs about the importance of getting an education and staying off of drugs and out of gangs.

Levin is a teacher in the Music Department of Dartmouth College and a longtime follower of the music of the Celtic lands, the Balkans, South Siberia, and other cultures. His new book "The Hundred Thousand Fools of God: Musical Travels in Central Asia" traces how the music of a culture lives through and reflects the lives of its people. He looks at how the Russian conquest of Central Asia at the end of the 19th century affected the music of the area.