Music

Stone is known to millions from the records he made with Sly and the Family Stone. But his early days, and the recordings he produced for his own Stone Flower label, add another dimension to the career of this enigmatic character, rock historian Ed Ward said.

New Orleans went decades without a homegrown label to document its riches. Rock critic Ed Ward says this explains why many 1950s New Orleans classics were released by Ace Records in Jackson, Miss.

In 1942, the founders of Capitol Records were in urgent need of a hit. It came from a most unlikely place: a young woman named Ella Mae Morse, whose place in pop-music history has never really been given its due. Rock historian Ed Ward shares her story.

Sloan and Barri were the songwriters behind "Eve of Destruction" and wrote hits for Herman's Hermits, The Mamas and the Papas and The Turtles. Critic Ed Ward examines their career and their many successful songs.

Afrobeat has proven to be the most durable and appealing fusion of African and American pop styles -- in spite of the death of Afrobeat's creator, Fela Kuti. Critic Milo Miles talks about how some smart, determined Afrobeat inheritors both sustain and build upon the style's foundations.

Few groups get to achieve a 50th anniversary, but the pioneering American folk trio the got to do just that this year. The release of a three-disc commemorative set by the New Lost City Ramblers was darkened, though, but the death of co-founder Mike Seeger.

Is it true that there was no good music at Woodstock? Critic Ed Ward considers the evidence.

Walter Jacobs, aka "Little Walter," was a harmonica virtuoso whose life was consumed by blues music. A new five-disc Hip-O Select re-release of Walter's complete recordings for the record label Chess is on shelves now.

Rock critic Ken Tucker looks back on American Idol's most recent season, when Adam Lambert and Kris Allen vied for the top spot. He says the wrong aspiring idol won.

The rise of the San Francisco rock scene in the mid-1960s is a well-known story, but one which might have taken an entirely different direction if Frank Werber's fortunes had played out differently.