Jazz

Jazz critic Kevin Whitehead reviews “Thelonious Monk: The Complete Prestige Recordings” (Prestige)

Jazz saxophonist James Carter. He has just released two new CDs— “Chasin’ the Gypsy” and “Layin’ in the Cut” (Atlantic Records). The 31-year-old New York based musician was discovered at the age of 17 by Wynton Marsalis. He’s played with Marsalis, the late Lester Bowie and Kathleen Battle. He has been praised by jazz musicians and critics alike; Richard Harrington of the Washington Post once wrote, “To hear saxophonist James Carter is to be blown away.”

We’ll speak to Kathryn King about her mother, jazz singer Jeri Southern. King co-produced a new re-issue of her Southern’s work from the fifties (The Very Thought of You: Jeri Southern/The Decca Years, 1951-57/GRP Records). Miles Davis once said she was his favorite singer. She’s been described as “smoky-voiced.” Southern died in 1991 at the age of 64. King has worked in the record industry for 25 years as a corporate executive and independent producer.

Jazz critic Kevin Whitehead reviews “Malinke” (Omnitone) the new recording by Marty Ehrlich.

Screenwriter/actress Polly Draper and jazz pianist Michael Wolff have co-produced “The Tic Code.” The new film is about a mother and her son, a musical prodigy with Tourette’s syndrome. The syndrome is a nervous disorder that produces uncontrollable facial tics and jerky muscular spasms, as well as causing strange noises to be emitted from those who have the disorder. Polly Draper wrote the film based on the life of her husband, Michael Wolff.

Biographer Howard Pollack is the author of “Aaron Copland: The Life and Work of an Uncommon Man” (University of Illinois Press). This year marks the 100th anniversary of Copland’s birth. Though Copland was Jewish, gay, and raised in Brooklyn, his work came to personify the American West, with such well known compositions as “Billy the Kid” and “Rodeo.” Copland also wrote “Appalachian Spring,” and “Fanfare for the Common Man.” Copland also wrote the film scores for “The Red Pony,” and “The Heiress.” Pollack is professor of music history and literature at the University of Houston.

Jazz critic Kevin Whitehead reviews “The Complete Blue Note Horace Parlan Sessions” (Mosaic).

Jazz critic Kevin Whitehead reviews the reissue “Louis Armstrong: Satch Plays Fats” (Columbia/Legacy).

Jazz critic Kevin Whitehead reviews “Mood Indigo” (Milestone) the new CD by singer Jimmy Scott.

Also star Vernel Bagneris who also wrote, directed and starred in the hit show, “One mo’ Time’ and the sequel “Further Mo.’