Jazz

Celebrated soprano saxophonist Jane Ira Bloom — a pioneer, among other things, in the use of electronics in live jazz — has an inventively formatted new recording. Fresh Air's jazz critic has a listen.

Fresh Air's jazz critic reviews Mark Miller's High Hat, Trumpet, and Rhythm: The Life and Music of Valaida Snow. It's a biography of jazz singer and musician Valaida Snow, aka "Little Louis."

Fresh Air's jazz critic reviews The Irrational Numbers, the new album from improvisation-oriented bassist Drew Gress. In truth, he says, the numbers the band plays are less "irrational" than pleasantly unpredictable.

The new live album from Andy Bey shows off his extraordinary range as a singer. There's plenty of Ellington, risk-taking, and evidence of his virtuosity—even if he didn't become famous until his ongoing revival in the '90s.

Jazz critic Kevin Whitehead gives the lowdown on new jazz releases that are perfect for the music lover on your last-minute shopping list. Detail of the box set for Miles Davis's complete recordings for the Columbia label. Whitehead says that this year, there is something for every budget, from affordable classics to handsome box sets and series. Also included are a book on jazz, and a combination CD/calendar.

Owing to his superb taste and refined touch, Roy Haynes has spent six decades as a drummer of choice for jazz stars like Lester Young, Charlie Parker, Sarah Vaughan, Thelonious Monk, John Coltrane and Pat Metheny. All of them appear on A Life in Time: The Roy Haynes Story, a new anthology spread over three CDs and a DVD. It's less a showcase for aggressive drumming than a reminder of how much good and great music Haynes has contributed to as a team player between 1949 and 2006.

Frank Morgan, a bebop-jazz sax player who modeled his playing style after Charlie Parker's, died Dec. 14 at age 73. After some early successes, Morgan succumbed to heroin addiction, which led to 30 years of crime and imprisonment — and an absence from the stage. But while he was in jail, Morgan did play with other inmates; most famously, he and Art Pepper formed a small ensemble at San Quentin. The Washington Post reports: "Once asked why so many jazz musicians became addicts, [Morgan] replied: 'It's about being hip.

Tenor saxophonist Dewey Redman, who died last year, recorded as a sideman with Ornette Coleman, Keith Jarrett, Pat Metheny and Charlie Haden's Liberation Music Orchestra.

He also led and recorded with his own groups — and was the father of another tenor saxophonist, Joshua Redman. Fresh Air's jazz critic says Dewey Redman never quite got the acclaim he deserved — and that a just-reissued album from 1982 shows how good he really was.

Several of Nat King Cole's recordings have been re-issued recently. Kevin Whitehead has a review of a re-issued 1958 recording.

The latest CD from New Orleans trumpeter and composer Terence Blanchard is A Tale of God's Will, whose subtitle is "A Requiem for Katrina."

Parts of the recording were heard in Spike Lee's HBO documentary When the Levees Broke. Blanchard, who's scored many films, including Eve's Bayou and Malcolm X, got his start with Art Blakey's Jazz Messengers.

He is artistic director for the Thelonious Monk Institute at the University of Southern California.