Jazz

Joost Buis' tunes are clean and true, and still let weird details nibble at the edges on Zooming. That sort of despoiling playfulness typifies a lot of Hollands improvised music: Just because you're serious doesn't mean you have to be serious all the time.

As a composer, Coleman has been heavily influenced by James Brown's funk. You wouldn't mistake Coleman's band Five Elements for J.B.'s, but like the Godfather of Soul, he goes in for fast, jittery beats on Harvesting Semblances and Affinities.

From one engagement to the next, saxophonist Lee Konitz rarely uses the same combination twice. But a few years ago, he began collaborating with a young trio known as Minsarah, which he invited to join him at the Village Vanguard last year. Three new knot recordings radiate the joy of making music in every note.

Moran's new album, Ten, is like a stack of progress reports -- on his personal growth as pianist and as a composer, on the development of a trio with stable personnel for a decade, and on how jazz itself has progressed over the last 10 years.

A regular performer at the Village Vanguard, Anat Cohen paid tribute to her early clarinet hero Benny Goodman in 2009, in honor of his 100th birthday. On Clarinetwork, her quartet plays tunes associated with Goodman, or at least songs he recorded while backing Billie Holiday.

In a transitional period between different groups with Miles Davis and Anthony Braxton and his fusion band, Return to Forever, Chick Corea recorded a series of solo piano improvisations in 1971. Those recordings and a 1983 follow-up have been reissued in a three-CD box set.

Dedicated and curious music fans are regularly finding new chapters in rock history from around the globe. Critic Milo Miles reviews one recent collection, a series of anthologies focusing on the lively story of vintage pop in Panama.

Jazz drummers leading their own bands often feature intricate rhythms and brisk, driving momentum. Paul Motian, with his slow tempos, loose timing and tunes that go with rainy days, is so self-effacing, he's almost an anti-drummer. A little rustle of brushes and the faint boom of a bass drum may be all he'll use to nudge the music on.

After profiling Baltimore's citizens, politics and problems in the HBO series The Wire, David Simon heads south to New Orleans — to look at the city three months after Hurricane Katrina. TV Critic David Bianculli reviews the series, which he says is "like a haunting piece of jazz from the French Quarter."

In addition to newsreels, cartoon and coming attractions, movie studios used to show musical shorts before feature films. Warner Brothers has just released a six-DVD set of these shorts called Big Bands, Jazz and Swing. Classical musical critic Lloyd Schwartz says the new set is wroth checking out.