Jazz

The new book Living With Jazz: A Reader, is the first collection of Dan Morgenstern's writing, including liner notes, record and concert reviews, critical essays and other writings. Morgenstern has been on the jazz scene for more than 40 years, from his earliest days as an editor of the jazz magazine Down Beat. Since 1976, he has been the director of the Institute of Jazz Studies at Rutgers University in Newark, N.J. The institute is billed as the largest collection of jazz-related materials anywhere. Morgenstern has won four Grammy Awardss for liner notes.

Veteran producer, pianist, singer, club owner George Wein. He's the founder of the Newport Jazz Festival, the Newport Folk Festival, and the New Orleans Jazz and Heritage Festival. In the early 1950s he founded the jazz clubs Storyville and Mahogany Hall in Boston where jazz giants Art Tatum, Sidney Bechet, Charlie Parker, Stan Getz and Miles Davis played. In 1954 he launched the Newport Jazz Festival where he presented Ella Fitzgerald, Sarah Vaughn, Dave Brubeck and others.

He's part of the free-jazz movement in New York City (along with saxophonist David S. Ware, bassist William Parker and violinist Mat Maneri). One of his influences has been avante-garde pianist Cecil Taylor. Shipp's style has been described as "a distinctive combination of Mr. Taylor's percussive attack and Chopin's languid rubatos." He's been recording since the early 1990s, and has over 20 albums to his credit as leader and sideman. Since 1999, Shipp has been artistic director the Thirsty Ear Records' Blue Series.

Founder and owner of the Chicago-based jazz and blues label Delmark, Bob Koester. The label celebrates its 50th anniversary this year. Artists Junior Wells, Little Walter, Big Joe Williams, Coleman Hawkings, Muhal Richard Abrams and Sun Ra & The Arkestra have all recorded on the label. Delmark has issued a 50th-anniversary collection.

The Susie Arioli Swing Band featuring Jordan Officer first gained notice at the 1998 Montreal International Jazz Festival. The band's albums include the recent Pennies from Heaven and the debut It's Wonderful.

Saxophonist Branford Marsalis. He's just released "Footsteps of Our Fathers," the debut release on the artist's own Marsalis Music label. In the nearly two decades that he has released solo albums, he's won two Grammy Awards and was nominated for a third in 1995. He was the first band leader for Jay Leno's "The Tonight Show" and appeared on the show from 1992-1995. In addition to the solo and ensemble records he's released, Marsalis has participated in various film scores as both composer and featured soloist.

Jazz bassist Ron Carter has more than 2,000 recordings to his credit. From 1963-1968 he was part of the Miles Davis Quintet with Herbie Hancock, Tony Williams and Wayne Shorter. Over the years he's played with Randy Weston, Herbie Mann, Betty Carter, Eric Dolphy, Sony Rollins, McCoy Tyner and others. Carter's new CD is Stardust.

Next week (Aug 6) jazz bassist Charlie Haden turns 65. As a child he sang with his family on their country music radio show. Later he worked with Ornette Coleman when Colemans music created controversy and sometimes provoked a violent response by listeners. Haden has also worked with Art Pepper, and Paul Bley, and he's recorded with many artists including Abbey Lincoln, Bill Frisell, Joshua Redman, Rick Lee Jones, and more. Hadens own groups include the Liberation Music Orchestra and Quartet West which he formed to play music of the 1940s and early 50s.

Writer James Gavin has produced Deep in a Dream: The Long Night of Chet Baker. It's a biography of the jazz trumpeter and vocalist. Baker came from Oklahoma in the 1950s to become the "prince of cool jazz" on the West Coast. His death in Amsterdam in 1988 seems to have been drug-related. Gavin provides some answers to the riddle of his death. Gavin is a frequent contributor to The New York Times and other publications.

Through his first band, La Perfecta, labeled "the band with the crazy roaring elephants," Palmieri was credited with originating Latin jazz's trombone sound in New York during the sixties. In 1994, Palmieri's lobbying culminated in the announcement of a new Grammy Award category for Afro-Caribbean Jazz.