Film

Drive is what Driver does, and driven is how audiences will feel after a screening of Nicholas Winding Refn's brutally moving thriller, which stars Ryan Gosling, Carey Mulligan, Bryan Cranston and Albert Brooks. (Recommended)

Vera Farmiga makes her directorial debut with Higher Ground, which centers on a woman who joins and then flees a fundamentalist religious order. Film critic David Edelstein says the movie is "complicated and unresolved in the best possible way."

In 1983, critic John Powers panned the Pacino film, saying it was trashy and shallow. But he recently watched the film again, and says that in retrospect, he can see how the film burned its way into the national psyche.

Raoul Ruiz's 4 1/2 hour Portuguese/French melodrama -- a puppet theater of the upper class -- won't be everybody's cup of tea. But critic David Edelstein says the film's haunting mix of distance and intimacy makes the hours fly by.

Emma Stone and Viola Davis star in the film adaptation of Kathryn Stockett's best-selling novel about a white woman who sets out to tell the story of black domestic servants in 1960s Mississippi. Critic David Edelstein says that both Stone and Davis pull off stunning performances.

Fred Astaire and Ginger Rogers weren't the only famous Hollywood musical team of the 1930s. Jeanette MacDonald and Nelson Eddy also starred in a series of operettas. But classical music critic lloyd Schwartz says the couples achieved their success in quite opposite ways.

You might not recognize actor Andy Serkis, but you've probably seen his characters on-screen. Searches is Hollywood's go-to actor for computer-generated roles. His movies include Lord of the Rings, King Kong and Rise of the Planet of the Apes.

Ameena Matthews is a former gang member who now works to stop retaliatory gang violence in some of Chicago's most dangerous neighborhoods. She is one of the subjects of a new documentary called The Interrupters.

The sci-fi Western Cowboys & Aliens and the low-budget British film Attack the Block both open this weekend. Critic David Edelstein says both movies bring people together from different walks of life — but only one is really worth seeing.

The Irish actor plays a cynical, small-town cop who is thrust out of his comfort zone in the black comedy The Guard. "I've met men like [my character] quite a lot," Gleeson says. "People who are underused a little bit and have terribly sharp wit, but pretend to be a little bit stupid."