Film

David Mitchell's exquisite novel Cloud Atlas has been adapted for the screen by the Wachowskis and Tom Tykwer. The film is never dull, but critic David Edelstein found that unlike the book, the film fails in its attempt to tie six distinct stories together.

In January, DuVernay became the first African-American woman to win Sundance's best directing award for her second feature-length film, Middle of Nowhere. It's about a young woman who puts her life and dreams of going to medical school on hold while her husband is in prison.

Writer Mark O'Brien spent most of his life in an iron lung. He was the subject of an Oscar-winning documentary, and now his story is told again in the semi-fictionalized feature The Sessions. Critic David Edelstein reviews the story of how one man lost his virginity — and found out how to love.

Ben Affleck's Argo, which is based on the declassified story of the CIA's mission to save six American diplomats trapped in Iran in 1979, is gripping, compelling and, at times, hilarious. But, as critic David Edelstein explains, the best parts of the "true" story are the parts that aren't true at all.

Critic David Edelstein reviews a film that may sound a lot like a campus-bound version of Glee, but has more to it than that label might suggest.

The director of Boogie Nights and There Will Be Blood talks to Fresh Air's Terry Gross about his new film, The Master, a tense drama with indelible performances from Philip Seymour Hoffman, Joaquin Phoenix and Amy Adams.

The Oscar-nominated actress plays the forbidding wife of a cult leader in Paul Thomas Anderson's The Master. She tells Fresh Air it was an opportunity to play a character type she'd never played before.

Rian Johnson's action-thriller can't dodge the frustrating elements of most time-travel tales, but the film's characters, performances and stylization add up to an experience that critic David Edelstein believes is the right amount of happy and tragic.

Writer-director Stephen Chbosky brings his 1999 young adult novel The Perks of Being a Wallflower to the screen. Critic David Edelstein says the result may be better than the book -- a project that communicates the trials of high school in a way that is both painful and elating.

Many comparisons have been made between Paul Thomas Anderson's film The Master and the history of Scientology. But, as David Edelstein explains, the challenge of balancing the search for surrogate family with American individualism dominates the film. (Recommended)