Film

A new film explores the affair between Dickens and a young actress for whom he left his wife, but who for years never showed up in biographies of Dickens. It's the second film directed by Ralph Fiennes, who also plays Dickens.

In 2013, "you really feel as if directors are taking chances in their storytelling," says film critic David Edelstein. He loved the movie Her, and says the biggest surprises of the year were All Is Lost and Much Ado About Nothing. He also explains why 12 Years a Slave didn't make his top 10.

The film Her, written and directed by Spike Jonze (Being John Malkovich), follows a lonely man who falls in love with a computer operating system. Critic David Edelstein says it's the best film of the year by far. (Recommended)

In a sequel, Ron Burgundy makes the leap from local to national news. "We felt like we needed to jack up the stakes," says director and co-writer Adam McKay. He and star Will Ferrell join Terry Gross to talk about making movies -- and that epic 'statche.

Inside Llewyn Davis -- starring Oscar Isaac and a disobedient cat -- is the latest from the filmmaking duo. The brothers talk with Fresh Air's Terry Gross about their writing process ("It's mostly napping") and the cult status of their 1998 film The Big Lebowski ("How do you explain that? I have no idea."

A pair of con artists and their FBI wrangler go after political corruption in American Hustle, inspired by the Abscam scandal of the '70s. Critic David Edelstein says the film, directed by Davide O. Russell, is "a bit of a hustle itself" -- and still a hell of a ride.

This weekend, AMC begins showing the final episodes of its acclaimed drama series, and launches a new one: Low Winter Sun. Meanwhile, HBO presents its newest made-for-TV movie — this one a comedy, starring and co-written by Larry David.

Novelist Delia Ephron says that losing her older sister Nora was like "losing an arm." But for all their collaboration and closeness, Delia writes about the complications of sisterhood in her new collection of autobiographical essays, Sister Mother Husband Dog (etc.).

Brothers Joel and Ethan Coen continue to mine American pop culture in their latest film. It's 1961 in Greenwich Village, and a homeless folk singer is trying desperately to break out. Critic David Edelstein says the overarching tone of the film is snotty, condescending, and cruel.

HBO's new TV special is part biography, part music-appreciation lesson and part performance piece. Critic David Bianculli says it's a superbly compiled work, overseen by two of the people most intimately familiar with the composer himself.