Film

Clint Eastwood's latest film is a supernatural drama about a factory worker with the ability to communicate with the dead. Critic David Edelstein says the film is too contrived to tell us anything enlightening about how to live in the shadow of death.

David Edelstein reviews two movies, Tamara Drewe and It's Kind of a Funny Story, that are both funny and discomfiting. Tamara a Thomas Hardy-inspired romantic comedy, "has the fullness of an 18th century novel," says Edelstein, who also applauds Zach Galifianakis' performance in Funny Story.

Ben Mezrich's The Accidental Billionaires painted an unflattering portrait of Facebook creator Mark Zuckerberg. The film version gets the programmer-nerd details (and Harvard's oak-and-crimson ambiance) right -- but fails to see the upside of a worldwide social network.

Director Oliver Stone turned down several offers to make a sequel to his 1987 hit Wall Street, for which Michael Douglas won an Oscar as hostile-takeover king Gordon Gekko. Then the market collapsed and it seemed a good time to revisit his old antihero.

The documentary Catfish may not be on the up-and-up. But does it matter? David Edelstein says no. Catfish, he says, provides a "true sense of adventure" and conveys emotions that "run the gamut from anxiety to contempt to curiosity to compassion."

Filmmaker Lixin Fan's Last Train Home documents the journey 130 million migrant workers make back to their rural villages every Chinese New Year. But the movie is not only about families traveling home -- it's about China's modernization. Critic John Powers says the images in the "epic and intimate" movie are absolutely ravishing."

A couple of years back, the two-time Oscar nominee announced he was giving up acting to become a rapper. David Edelstein reviews Casey Affleck's film I'm Still Here, which tracks Phoenix's transformation -- and says there may be a real madness in Phoenix's method performance.

Anton Corbijn's paranoid thriller stars George Clooney as an anonymous international assassin constantly on the run. Critic David Edelstein says the spare movie "cast a spell" over the audience -- as they entered the mind of a man with no past or future.

The French outlaw Jacques Mesrine, who terrorized France and killed 39 people, is the subject of the thrilling Mesrine: Killer Instinct, which stars Vincent Cassell as Mesrine and Gerard Depardieu as a Parisian crime boss. Critic John Powers applauds Cassell's acting, saying it "ranks with the best of DeNiro or Pacino or, more recently, Daniel Day-Lewis."

Edgar Wright's adaptation of a cult-favorite comic centers on a regular schmo who fights like a superhero when his new girlfriend's Seven Evil Exes come calling. Critic David Edelstein says the movie has a vintage look all its own -- "part comic-book panel and part arcade video-game screen."