Film

Critic Ken Tucker reviews the direct-to-video documentary Cover-Up, which alleges that a shadow government conspired to shape foreign policy throughout the 1980s, which led to the Iran-Contra affair. The film has been an unexpected commercial success. Other recent releases include 3 Men and a Baby and She's Having a Baby.

Film critic Stephen Schifff says that the Irish rock band's new concert film, Rattle & Hum, exaggerates U2's abilities, importance, and depth. The movie follows them during a U.S. tour; in between performances, the band visits landmarks of American music, and share their superficial insights into their significance.

Critic-at-large Laurie Stone reviews the documentary Hotel Terminus, about Nazi officer Klaus Barbie, who fled to South America after the end of World War II. Despite the dark subject material, Stone says the movie is a pleasure, and praises director Marcel Orphuls unblinking camerawork.

Ken Tucker reviews the home video release of the highest grossing film of all time. He says the movie doesn't transfer well to the smaller dimensions of a TV screen, but its heart is still there. Conversely, Cinderella is perfect for home viewing, but it still suffers from Disney's sentimental revisions of the original tale. The Three Caballeros, another recent Disney release, is also worth watching.

Stephen Schiff says that director Leonard Nimoy's adaptation of Sue Miller's novel is lifeless, but Diane Keaton's performance might justify the cost of a ticket.

Director Ken Russell's new movie, Lair of the White Worm, updates a minor Bram Stoker novel of the same name for the 1980s. Film critic Stephen Schiff says the movie's acting and effects are silly and over-the-top. That's all part of the charm.

Critic Ken Tucker reviews Alysssa Milano's exercise video Teen Steam, which is geared toward teenage girls; adults caught watching it can't help feeling faintly unclean, he says. He also recommends new releases of Withnail and I and Rambo III.

The director trades comedy for drama in his latest movie. Film critic Stephen Schiff says the story explores the tired, false dichotomy of thinking versus feeling; and the dialogue leaves much to be desired.

Clint Eastwood's biopic Bird delves deep into the personal life and legend of Charlie Parker. Jazz critic Kevin Whitehead says the story fails to connect these often tumultuous moments with the genius of Parker's music.

Critic-at-large Laurie Stone recently saw the Dian Fossey biopic. She praises the film's power and compassion, fueled in large part by star Sigourney Weaver's outstanding performance.