Feminism

The writer published her first story she was 35; her first novel came out nine years later. Her latest book, Silver, is about marriage, domesticity and suburban life.

Contrary to many other feminist activists, Bright believes that the anti-pornography movement discourages women from exploring their sexuality and developing what she calls an "erotic literacy." She edits the S&M-themed magazine On Our Backs, which revels in fantasies that are at once controlled and dangerous.

Critic-at-large Laurie Stone says that recent advertisements, TV shows, and theater betray a cultural shift toward a new traditionalism that debases feminism and expects women to return to conventionally feminine roles.

Rather than simply include more women artists into the canon, Nochlin believes art critics and historians should rethink the way artistic greatness has been constructed in such a way that has prevented women from achieving a particular model of success. Her new book about this topic is called Women, Art, and Power.

Feminist writer Susan Brownmiller wrote a fictionalized account of the Sternberg-Nussbaum child abuse and murder case, case called Waverly Place. She joins Fresh Air to discuss why she avoided writing a true crime book, as well as the sociology of domestic abuse.

That student was Fresh Air's critic-at-large Laurie Stone. Stone studied with the feminist writer at Barnard. She was excited by Millet's enthusiasm for art and literature, and was emboldened by Millett's sincere belief in Stone's own potential.

Willis is known for taking on diverse topics ranging from rock music, pornography, and domesticity. Now in her 40s, she is raising a child with her partner -- an arrangement, she admits, resembles the nuclear family in all but name. Willis is the senior editor at the Village Voice.

Sallie Bingham came from a family of newspaper magnates. After she was ejected from her paper's board of directors, she sold her share of stocks to fund various organizations for women in her home state of Kentucky. The Bingham family's internecine conflicts later came under public scrutiny, and was the subject of two books. Sallie Bingham's new memoir, Passion and Prejudice, tells her side of the story.

Guest critic Leslie Savan says the portrayal of women in recent television commercials reflects what she calls the "gal" archetype -- clumsy but charming, and always insecure, they never have the upper hand at home or work.

Feminist scholar Barbara Katz Rothman says that feminists must confront the cultural shift toward privileging the unborn fetus over the pregnant women. New technologies and the rise of paid surrogacy, Rothman argues, have contributed to this change.