Classical music

Classical music critic Lloyd Shwartz reviews a new re-issue of the original cast recording of the 1943 revival of Rodgers & Hart's Connecticut Yankee

Classical pianist and conductor Murray Perahia. Hes been exploring the music of J.S. Bach in his recordings. His latest is Bachs Keyboard Concertos vol. 1 which he recorded and conducted with the St. Martin in the Fields ensemble. He also recorded the Goldberg Variations and Bachs complete English Suites. (All are on Sony Classical). In 1994 Perahia suffered a thumb injury that left him unable to play regularly for a year. He took up his first conducting post as Principal Guest conductor of the Academy of St. Martin in the Fields. They just completed a 10-city tour.

Classical Music Critic Lloyd Schwartz reviews a series of concerts by Pierre Boulez and the Vienna Philharmonic Orchestra.

Classical music critic Lloyd Schwartz reviews a new CD boxed set of live performances by conductor Leonard Bernstein.

Classical music critic Lloyd Schwartz reviews “Bach Christmas Cantatas,” a new CD featuring the orchestra and chorus of Emmanuel Music.

Classical music critic Lloyd Schwartz reviews the reissue of the original cast album of the legendary 1954 Theatre de Lys’ Off-Broadway production of Kurt Weill’s “Threepenny Opera” starring Lotte Lenya. It’s on the Decca label.

Jazz critic Kevin Whitehead reviews pianist Uri Caine’s new 2 C-D set, “The Goldberg Variations” (Winter & Winter).

Classical music critic Lloyd Schwartz reviews “The Music of Samuel Barber”

Classical music critic Lloyd Schwartz reviews recordings by two countertenors: a collection of religious music for solo voice by Vivaldi performed by German born Andreas Scholl (on Decca) and “Serenade” (Virgin Classics) by American David Daniels.

Biographer Howard Pollack is the author of “Aaron Copland: The Life and Work of an Uncommon Man” (University of Illinois Press). This year marks the 100th anniversary of Copland’s birth. Though Copland was Jewish, gay, and raised in Brooklyn, his work came to personify the American West, with such well known compositions as “Billy the Kid” and “Rodeo.” Copland also wrote “Appalachian Spring,” and “Fanfare for the Common Man.” Copland also wrote the film scores for “The Red Pony,” and “The Heiress.” Pollack is professor of music history and literature at the University of Houston.