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07:53

Turning Up The Volume On The Electric Blues.

A new 12-disc compilation traces the history of electric blues from its inauspicious start through its heyday in the 1950s and '60s. Critic Ed Ward says Plug It In! Turn It Up! does "a great job of illuminating one particular aspect of the blues."

Review
09:06

The Mythic Power Of Bessie Smith.

"The Empress of the Blues" gave voice the listeners' tribulations and yearnings of the 1920s and '30s. A new 10-CD box set collects the complete works of the colossus who straddled jazz and blues.

Review
07:49

Howlin' Wolf: A Blues Legend With An Earthy Sound.

Sam Phillips once referred to Howlin' Wolf's voice as "where the soul of man never dies." Phillips, who worked with dozens of great Memphis musicians, never changed his mind. Rock historian Ed Ward examines the evolution of Wolf's singular talent.

Review
06:17

Bonnie Raitt's 'Slipstream': A Barnstorming Good Time.

Slipstream is Raitt's first album since 2005's Souls Alike, and she's produced most of the tracks herself. Rock critic Ken Tucker says that this return to recording and her renewed control over her music has resulted in one of Raitt's finest albums.

Review
08:33

The 'Complete Mythology' Of Syl Johnson

Al Green wrote "Take Me to the River," but it was his labelmate Syl Johnson who first made it famous. Rock historian Ed Ward traces Johnson's early career, which started in Chicago blues clubs in the 1950s.

Review
06:42

Dr. John: Righteous Anger, Graced By Wit.

Mac Rebennack, known as "Dr. John," has been a rock and soul ambassador for his native New Orleans since the late 1960s. Although his public profile has risen and fallen over the years, the spirit of his city is a constant presence on all of his albums. Critic Milo Miles talks about how crusading for wounded New Orleans has given Dr. John a jolt of vitality.

Review
06:14

Tom Jones: 'The Lady Gaga Of Elvis Impersonators'

Jones has been a pop star since 1965, when he released his first single, "It's Not Unusual." Since that time, he's remained a star overseas, while resurfacing periodically on the American pop charts. Rock critic Ken Tucker review his latest album, a collection of gospel, blues and soul covers called Praise and Blame.

Review

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