Director Marielle Heller's new film, starring Tom Hanks, casts a spell with the lightest of touches. Drop your skepticism; this film feels like an encounter with Fred Rogers himself.
Executive producer Lisa Henson (daughter of legendary puppeteer Jim Henson) and design supervisor Toby Froud talk about their Netflix fantasy series and creating a cast of handmade, sculpted puppets.
Actor Reese Witherspoon became famous in her 20s after starring in films like Election and Legally Blonde, but by the time she entered her 30s, the film landscape had shifted. DVD sales had shrunk and smaller, female-centered movies were in short supply. It was nearly impossible to find good leading roles for women.
Not surprisingly, Disney+ streaming service offers an array of Disney, Marvel, Pixar and Star Wars features. What's less expected — and maybe even more welcome — is its menu of new programming.
Early in his career, Cole formed a trio with guitarist Oscar Moore and bassist Wesley Prince. Hittin' the Ramp, a new 7-CD roundup, showcases the band that help catapult Cole to stardom.
This past summer, I made time to catch up on a book I'd missed when it was published two years ago. Ever since, I've been telling friends, students and random strangers on a train that they must read Daniel Mendelsohn's memoir called An Odyssey. In it, he recalls teaching a seminar on Homer's Odyssey that his then 81-year-old father sat in on as an auditor.
HBO's new series has plenty of court intrigue, scandals and betrayals, but the script amounts to little more than a historical greatest hits, bouncing from well-known event to event.
Ronan Farrow's 2017 exposé of the sexual misconduct allegations against film producer Harvey Weinstein in The New Yorker earned him a Pulitzer Prize and helped usher in the #MeToo movement. Now, in his new book, Catch and Kill, Farrow writes about the extreme tactics Weinstein allegedly took in an attempt to keep him from reporting the story.
Counter tenor Anthony Ross Costanzo sings in what's considered a woman's range - in the range of the castrati, men who maintained their high voices by being castrated before puberty. He's about to star in the Philip Glass opera 'Akhenaten.'
The podcast, Conan O'Brien Needs a Friend, featuring O'Brien's conversations with comics, actors and writers, launched November 2018. Its second season starts Oct. 7.
Burton played in Ricky Nelson's band, and has been on hundreds of recordings, including those by Frank Sinatra and Johnny Cash. You can hear him on the new box set, Elvis: Live 1969.
Alessia Cara's "Rooting for You," Megan Thee Stallion's "Hot Girl Summer," and Bon Iver's "U (Man Like)" offer three different takes on — and moods for — the summer.
I'm not sure that any creature is more marvelous than the honeybee, with its highly evolved social organization, its ability to create honey, and, of course, the stinger that causes us to take heed whenever we hear buzzing. The pain it threatens makes it easy to think you need an almost-monastic devotion to become a beekeeper.
Before Wanda Sykes became a comic, she worked as a procurement officer for the National Security Agency and had top security clearance. But she always loved telling jokes, and when a local radio station sponsored a talent show that included a comedy category, she decided to audition.
A look at the vast, bizarre world of insects, and why we can't live without them with Anne Sverdrup-Thygeson author of the new book 'Buzz, Sting, Bite.'
The original Veronica Mars premiered on television 15 years ago, which, in TV terms, was a whole different era. David Milch's HBO series Deadwood, which just reunited its cast for a fabulous TV movie, premiered that year. So did two major hits for ABC, Lost and Desperate Housewives. And 2004 also brought us the premiere of NBC's The Apprentice.
Torn, who died Tuesday, won an Emmy Award for playing the gruff producer Artie on The Larry Sanders Show. In 1994, he told Fresh Air that he based his character on Johnny Carson's long time producer.
In the viscerally unnerving films of Ari Aster, there's nothing more horrific than the reality of human grief. His haunted-house thriller, Hereditary, followed a family rocked by traumas so devastating that the eventual scenes of devil-worshipping naked boogeymen almost came as a relief. Aster's new movie, Midsommar, doesn't pack quite as terrifying a knockout punch, but it casts its own weirdly hypnotic spell. This is a slow-burning and deeply absorbing piece of filmmaking, full of strikingly beautiful images and driven less by shocks than ideas.