Television critic David Bianculli reviews the new show TV 101, about a student who covers his high school's news on closed-circuit television. Bianculli says the premise and cast are excellent; he only hopes that the show can eventually live up to its potential.
World music critic Milo Miles on the Portuguese group Madredeus and 17-year old singer Teresa Salgueiro who is a newer member of the group. (The complete Madredeus catalog is on the Metro Blue label)
Writer Tom Wolfe, known for his "New Journalism" in the 60s and 70s. His books from that period included The Electric Kool Aid Acid Test, Radical Chic and Mau Mauing the Flak Catchers and The Right Stuff. His new book, his first novel, is titled The Bonfire of the Vanities.
Novelist Robert Stone. His new novel "Damascus Gate" is about the Middle East. Unlike most writers who write about the region, Stone is not Jewish; he's a lapsed Catholic. One reviewer writes of the book that it is "so comprehending of Israel's convoluted workings and its bifurcated culture--where the Biblical fervor of Jerusalem coexists with the disco fever of Tel Aviv--that he makes other writers on the subject seem like the breeziness of literary tourists." Stone is also the author of "Outerbridge Reach" and "Dog Soldiers."
Miller was the first executive director of the Major League Baseball Players Association when it was formed in 1966. He helped form a labor union to represent the athletes, which caused the dramatic increase in player's salaries, and ended the system that bound an athlete to one team forever. To some, he's the man who depreciated the value of teams. His memoir is called "A Whole Different Ball Game."
A couple of years ago, director Jake Kasdan woke up in the middle of the night, knowing suddenly that his next film would be a fake music biopic called Walk Hard. He went on to cast John C. Reilly as Dewey Cox, the putative legend at the heart of the story, who has trouble with women and drugs and who tries on a multitude of musical personalities. Walk Hard, due out Dec. 21, also features Jenna Fischer from NBC's The Office; it was co-written and produced by Judd Apatow. Apatow and Kasdan worked together previously on the critically acclaimed TV show Freaks and Geeks.
The original Veronica Mars premiered on television 15 years ago, which, in TV terms, was a whole different era. David Milch's HBO series Deadwood, which just reunited its cast for a fabulous TV movie, premiered that year. So did two major hits for ABC, Lost and Desperate Housewives. And 2004 also brought us the premiere of NBC's The Apprentice.
Since the 1973 release of his first album, Closing Time, Tom Waits has won fans over with his original songwriting and distinctive, gravelly vocal style. Musicians including Johnny Cash, Bruce Springsteen and Rod Stewart have recorded covers of his songs. He has also acted in films, including Sylvester Stallone's Paradise Alley, Jim Jarmusch's Down By Law and Robert Altman's Short Cuts. Waits has two new CDs out this month: Alice and Blood Money.
James Lapine worked with Stephen Sondheim on Sunday in the Park with George, Into the Woods and Passion. In Putting it Together, he draws on interviews with Sondheim and members of the cast and crew.
The third episode of Succession's fourth and final season ripped away the show's center in a brilliant and unexpected move. If you haven't seen it yet, it's time to catch up.
Steve Chapman, whose twice-weekly column for The Chicago Tribune is syndicated to about 50 newspapers, says reporters should give details on their sources to investigators in the case of the leak of a CIA officer's name. In Chapman's Feb. 20, 2005, column on the Miller and Cooper case, he sides with the court, stating, "in this case, principle should yield to the need to protect agents who are serving their country."
Professor of English Joan DelFattore at the University of Delaware wrote the book "What Johnny Shouldn't Read," in which she examines several of the more publicized Federal court cases of the 1980s involving attempts to censor schoolbooks, looking at the resulting impact on publishers and on state education officials. She looks at efforts of both the right and the left to influence curricula.
In a profile of Ginsburg for this week's New Yorker, Jeffrey Toobin describes how the incremental philosophy of litigation that helped her win many precedent-setting women's rights cases as a lawyer is reflected in her career as a Supreme Court justice.
Jazz singer Sylvia Syms. During the 40s and 50s, she perfected her stage style and voice in New York's jazz clubs, including The Village Vanguard and The Latin Casino where she became friends and collaborators with Erol Garner, Billy Holiday and Frank Sinatra. She appeared on stage as well, originating the role of Bloody Mary in "South Pacific," and still sings the musical's centerpiece "Bali Hai" in her cabaret show. Syms teaches voice and song interpretation at Texas' Northwood Institute.
Bandleader and pianist Eddie Palmieri. Through his first band, La Perfecta, labeled "the band with the crazy roaring elephants," Palmieri was credited with originating Latin jazz's trombone sound in New York during the sixties. With the release of "Palmas," (Elektra), many critics feel that this respected 58-year old innovator will finally get the exposure and respect that his sound has long merited. Palmieri's lobbying over the past year culminated in the announcement of a new Grammy Award category for Afro-Carribbean Jazz.
Television producer Steven Bochco. He is, arguably, one of the most influential creative people in television. With shows like "Hill Street Blues" and "L.A.Law," Bochco can claim credit for a whole TV genre: intensely realistic dramas that use an ensemble cast and multiple, interweaving plots that quickly cut back and forth. Those programs helped make NBC the top network and the perceived leader for innovative programming.
Decades after Parker's death, a new album compiles previously unknown performances by the alto sax legend. Critic Kevin Whitehead says the record will please both jazz experts and casual listeners.
Impresario Joseph Papp helped launch Broadway hits like A Chorus Line and The Pirates of Penzance, and founded the New York Shakespeare Festival. He talks about the political aspects of theater casting, production, and criticism.
