John Powers

The 60th Cannes Film Festival drew more than 4,000 journalists, so it's possible you've heard a little something about the hits and misses there. Michael Moore screened a damning documentary about the U.S. health-care system, while singer Norah Jones made her acting debut in a film from Hong Kong auteur Wong Kar-Wai. Critic-at-large John Powers reports on other high- and low-lights.

Alan Furst's best-selling spy thrillers (Kingdom of Shadows, Night Shadows, The Polish Officer) play out in the brooding, tumultuous Europe of the pre-World War II years, offering an intimate, insider portrait of an escalating crisis in which the players can't always see the implications of the game. Critic-at-large John Powers explains why he's a fan.

Critic-at-large John Powers reflects on what he thinks is the single greatest movie ever made about the city of Los Angeles — Killer of Sheep, an independent film made in the late '70s by Charles Burnett. It's on the Library of Congress' National Film Registry; it will be showing in selected theaters in the next few months, and it comes out on DVD this September.