Terry Gross

John Waters' movie Hairspray, about a full-figured teen who bops her way to popularity (and fights for racial integration) on a TV dance show in '60s Baltimore, was a cult camp classic that became a hit Broadway musical. Now that stage musical has been re-adapted into a film — starring John Travolta, no less, in the role created by Waters' drag-queen muse Divine.

We talk with director and choreographer Adam Shankman, who directed The Wedding Planner and choreographed Boogie Nights — not to mention the legendary musical episode of Buffy, the Vampire Slayer.

"There is a madness in Gaza now." So says New York Times Jerusalem bureau chief Steven Erlanger, who joins Terry Gross to talk about the Palestinian power struggle that's erupted recently and how the battles between the Hamas and Fatah factions are affecting life in the West Bank and Gaza.

Erlanger has reported from all over the world, serving in Moscow, Bangkok, Prague and other cities. Prior to his tenure at the Times, he wrote for The Boston Globe.

Natasha Trethewey was awarded the Pulitzer Prize for Native Guard, her most recent collection of poetry. The title refers to a regiment of African- American soldiers who fought for the Union in the Civil War.

Trethewey grew up the child of a racially mixed marriage in Mississippi. Her mother was murdered by her stepfather; these, along with the South and its singular ways, are recurring themes in her poetry.

Trethewey teaches creative writing at Emory University. Native Guard is her third collection.

It's been a year since the start of last summer's war between Israel and Hezbollah. We'll discuss life in Lebanon, and the conflict's unintended consequences, with Timor Goksel, former spokesperson and senior adviser for the United Nations peacekeeping force in Lebanon. Goksel now teaches at the American University of Beirut.

Kasi Lemmons' film Talk to Me, which opens this weekend, centers on the radio DJ, television personality and activist Ralph Waldo "Petey" Greene Jr. (played by Don Cheadle). Greene was a driving force in the black community of Washington D.C.; we talk with Lemmons and with Dewey Hughes, who first hired Greene at the D.C. radio station WOL-AM.

Russian arms dealer Victor Bout has armed Islamic extremists and sold weapons to some of the Third World's most abusive and murderous dictators and warlords — and he's known for fueling both sides of conflicts.

His success is rooted in the legacy of the Cold War, whose messy unraveling left him with easy access to massive inventories of weapons and ammunition built up by the Soviets. We talk about Bout with journalists Douglas Farah and Stephen Braun, who've co-written a book about him: Merchant of Death: Money, Guns, Planes, and the Man Who Makes War Possible.

Nora Volkow, director of the National Institute on Drug Abuse, ranks as one of the U.S.'s leading addiction researchers. She's helped demonstrate that addiction is in fact a disease — a disease of the brain — and that all addictions, whether it's to drugs, alcohol, tobacco, sex, gambling or even food, are more alike than was previously thought.

Volkow, who's the great-granddaughter of Russian revolutionary Leon Trotsky, grew up in Mexico City — in the house where her famous ancestor was assassinated.

Jonathan Oberlander, a political scientist with an expertise in health-care politics and policy, discusses problems with the U.S. health-care system and considers how other countries handle health care. He'll also give us a critique of Michael Moore's documentary Sicko. Oberlander is an associate professor at the University of North Carolina at Chapel Hill.

Rescue Dawn is Werner Herzog's first Hollywood feature; it's a dramatic retelling of the story he told in his 1997 documentary Little Dieter Needs to Fly. His other films include Aguirre: The Wrath of God, Heart of Glass, Fitzcarraldo, and Nosferatu. This interview first aired on Oct. 27, 1998.

She was a home-grown phenomenon, an operatic soprano trained entirely in the U.S. in an era when most singers developed their craft in Europe, and she made a notable second career after her retirement as a formidable arts administrator and advocate. Fresh Air spoke with her in 1985.