Terry Gross

The renowned soloist says the nature of his instrument demands that he be flexible about also playing supportively in ensemble settings. He talks about how the death of his parents, both of whom were musicians, contributed to his artistic development.

The Irish filmmaker joins Fresh Air to talk about the difficulties of movie production in his home country. His new movie, directed by Peter Ormond, is called Eat the Peach.

Husband-and-wife musical duo Jane Voss and Hoyle Osborne perform two songs from the 1920s that they believe resonate with listeners today.

Obie Award-winning playwright Adrienne Kennedy has a new, unconventional memoir called People Who Led to My Plays. She explores the experience of growing up as an African American in suburban Ohio, her drive to excel artistically and academically, and the people who influenced her throughout her life.

Still in her thirties, novelist Erica Jong celebrates women in their 40s, 50s and 60s. Her books feature realistic women characters who are given the chance to embrace their bodies and enjoy sex without fear of repercussions. Her newest is called Serenissima.

Wes Craven worked his way up in the film industry before unexpectedly getting the chance to direct The Last House on the Left. The movie was a controversial success, with its graphic portrayal of rape and murder. His newest movie about voodoo, The Serpent and the Rainbow, was filmed in Haiti.

Alice McDermott's new novel is about a young girl who witnesses a teenage love affair develop in her neighborhood. McDermott joins Fresh Air to discuss writing, memory, and growing up in the suburbs.

The franchise's newest installment, The Living Daylights, stars Timothy Dalton. Film critic Stephen Schiff says it's enjoyable enough, but its tone is too serious and sensitive for a Bond flick.

Listeners will recognize Frankie Laine's voice from the opening sequences of Rawhide and Blazing Saddles. Laine also makes a career performing and recording pop, country and jazz tunes.

Mary King served as the communications coordinator for SNCC during the Civil Rights Movement. Her new book, Freedom Song, talks about her experiences in that organization, including how its race and gender dynamics played out compared to other activist organizations.