Terry Gross

The Houston-based musician started on acoustic guitar before making the jump to electric. He talks about his career and his approach to songwriting.

Fresh Air film critic Bill Van Wert speaks with Terry Gross about the new movie, Take This Job and Shove It!

The accomplished musician shares his approach to improvisation and teaching. He considers the changing approach and education of younger musicians is affecting the future of jazz.

In light of the current PATCO strike, labor historian Philip Foner discusses recent controversies surrounding strikes by public employees, as well as the history of organized labor in the United States. Fresh Air host Terry Gross invites listeners to call in with their questions.

Two experts on drug trafficking tell Fresh Air's Terry Gross about the difficulties of curtailing the production and sale of illicit drugs that originate outside the U.S. They debate whether or not American support of Burma's ethnic minorities could help reduce opium production.

Gus Hall considers the history of the Communist Party in the U.S. as well as the fraught deployment of communism in the Soviet Union.

The historian and prolific writer talks about the influence of communist organizations and movements in the United States and abroad. He is careful to point out the positive influence of communists in American labor movements, and cautions against viewing communism in different countries as a monolithic force.

The jazz and film critic believes that all the methods and techniques filmmakers use to tell a story were ether pioneered or refined by D.W. Griffith. Despite the pervasive racism in the director's art, Williams argues for the preservation of Griffith's legacy.

The Village Voice writer has a new anthology of his music writing called Riding on a Blue Note. His tastes have expanded from jazz to pop vocals, including Bing Crosby and Frank Sinatra. Giddins also finds much to love about contemporary European and avant-garde jazz.

Cinematographer Garrett Brown worked on the new Brian de Palma film Blow Out. His invention, the Steadicam, has facilitated new production techniques in cinema, particularly with point-of-view shots in thriller and horror movies.